{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://iastate.aviaryplatform.com/iiif/ms3jw8792n/manifest","type":"Manifest","label":{"en":["Acker, Ally, Reel Women"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/004/original/ISULogo.png?1601681107","metadata":[{"label":{"en":["Publisher"]},"value":{"en":["Iowa State University. Special Collections and University Archives"]}},{"label":{"en":["Identifier"]},"value":{"en":["RS008-006-053 (call number)","AV203892 (UID)"]}},{"label":{"en":["Description"]},"value":{"en":["Reel Women is a February 14, 1990 event in the Iowa State University Lecture Series featuring Ally Acker. Ally Acker discusses the forgotten history of women filmmakers.","This item was captioned by Rev.com in conformance with WCAG 2.1 AA accessibility guidelines. 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PM,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=15.39,16.31"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we'll be showing the film \"Secret Honor\".","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=16.31,18.47"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And then tomorrow night at eight 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film.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=21.46,23.363"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ally Acker is a filmmaker and a writer","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=24.7,26.96"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and she has forged her own path","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=26.96,28.68"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the fields of television and film.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=28.68,31.14"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the winner of the Junior Academy Award","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=31.14,33.1"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in 1979 for \"Silver Apples of the Moon\".","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=33.1,36.2"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ms. Acker continued on to be the first 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\"Attitudes\"","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=53.607,55.69"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from the Lifetime Network,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=55.69,57.28"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"where she was Senior Producer and Head Writer.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=57.28,60.31"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In 1985 those women whose contributions","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=60.31,63.39"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"had been lost due to ignorance and time","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=63.39,65.78"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"gained a chance at recognition.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=65.78,67.64"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"For in that year, the Reel Women's Trust Foundation","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=67.64,70.139"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a nonprofit world charitable trust,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=70.139,72.99"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was founded by Ms. Acker.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=72.99,74.92"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ally Acker not only works in the entertainment industry,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=74.92,77.6"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but also reflects on those who have left their marks.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=77.6,80.74"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The presentation you are about to hear was called","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=80.74,82.92"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from a documentary, Ms. Acker has been working on","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=82.92,85.53"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for three years.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=85.53,86.67"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Entitled \"Reel Women\", R-E-E-L, \"Pioneers of the Cinema\".","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=86.67,91.16"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ms. Acker is now writing a book of the same title","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=91.16,93.315"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which will be out through Harper and Row next October.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=93.315,96.32"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It is with great pleasure that I present to you,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=96.32,98.15"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ms. Ally Acker.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=98.15,99.337"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience applauding)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=99.337,102.504"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Thank you so much.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=108.736,109.989"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's great to be here tonight, I really appreciate it.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=109.989,114.489"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's cosmic force against us tonight, and especially","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=116.323,120.998"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(indistinct)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=120.998,123.415"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm about to tell you a story that","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=129.526,132.75"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I guarantee you never heard before.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=132.75,136.8"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Because even if you're a film 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about.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=143.44,147.89"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it's not because the story never happened.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=147.89,151.56"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's really because those 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achievers.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=181.42,185.49"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"When in fact these women were achievers","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=185.49,187.78"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"they were very great 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1985.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=218.23,223.23"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I saw a great collector of artifacts.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=223.31,227.21"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I love 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photographs,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=232.29,237.29"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the early days who were in very influential,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=237.34,241.54"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"senior leader positions.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=241.54,243.54"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I asked one maker of the photo archives,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=243.54,246.593"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"who are these women?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=247.81,248.81"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Some of them came to say, \"Well, tell me,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=249.991,251.71"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we viewed them, we simply didn't 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know.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=271.31,273.807"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And so this kind of unearthing went on and on and on.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=273.807,278.689"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And what essentially happened is that I ended 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footage","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=299.8,304.5"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/93","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with great men and women in the film industry,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=304.5,308.5"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/94","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that I'm still working my way through it","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=308.5,310.697"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/95","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and ciphering all good ways from it.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=310.697,314.913"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/96","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So being a documentary filmmaker, and I'm much 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by.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=340.76,342.873"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/103","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Either ways, I need to,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=344.589,346.506"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/104","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e I was the only 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I,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=434.932,438.18"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/112","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(crosstalk)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=439.887,442.916"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/113","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by the way, you know, black people got 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life.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1003.69,1006.95"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/246","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She's a grown up woman, masquerading around","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1006.95,1009.93"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/247","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as a little girl to get cookies.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1009.93,1012.42"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/248","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I often wondering during my research","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1012.42,1014.73"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/249","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"what would an non-escapist vision of a woman's life","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1014.73,1018.41"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/250","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"look like on film?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1018.41,1019.82"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/251","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(indistinct)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1022.04,1024.457"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/252","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So, it's important for you to know that a lot of women","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1030.111,1033.69"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/253","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"want this talk, certainly I couldn't talk about every woman","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1033.69,1037.42"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/254","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"who ever ventured to make a motion picture.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1037.42,1041.76"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/255","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I've chosen to focus on mainstream cinema","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1041.76,1045.09"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/256","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because the mainstream is where we as a culture,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1045.09,1049.16"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/257","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we have our ideas of one, you know, the status quo.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1049.16,1053.387"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/258","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Why the rules and regulations are","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1053.387,1055.76"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/259","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for us to be men and women in this world.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1055.76,1058.56"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/260","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So women that I have chose to talk about,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1058.56,1061.66"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/261","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I've selected them, not only on basis of their contribution","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1061.66,1065.8"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/262","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of gender, which is indeed stark.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1065.8,1068.61"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/263","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But quite enough to make a decision","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1068.61,1073.61"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/264","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and a kind of determining factor and putting them","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1073.62,1076.42"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/265","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to talk like this.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1076.42,1077.84"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/266","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But I've chosen women's visions, I've actually transformed","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1077.84,1080.98"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/267","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the way we look at movies today.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1080.98,1082.883"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/268","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I was in San. Francisco Women's Film Festival last year.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1084.25,1086.91"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/269","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And one of the predominant questions that I kept getting","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1086.91,1090.32"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/270","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"thrown at me was,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1090.32,1092.24"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/271","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"why do we have to have a Women's Film Festival?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1092.24,1095.52"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/272","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Why do we have to segregate women artists out?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1095.52,1097.99"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/273","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now, why don't we have a festival called Men in Film?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1097.99,1101.683"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/274","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And my standard answer to that was,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1101.683,1104.35"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/275","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we do have a festival of Men in Film","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1104.35,1106.646"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/276","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but it's called Hollywood.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1106.646,1108.156"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/277","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But maybe the more serious answer to that is because","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1108.156,1113.01"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/278","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"no one today, has acknowledged that women have been movers","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1113.01,1117.02"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/279","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and shakers, and very influential changers,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1117.02,1120.48"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/280","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the most powerful image making industry in the world.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1120.48,1124.13"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/281","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And have never been credited","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1124.13,1125.44"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/282","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for their groundbreaking efforts.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1125.44,1127.6"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/283","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So kinda by show of hands see, which ones of you","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1127.6,1132.6"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/284","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the audience are filmers?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1133.78,1134.767"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/285","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Which ones are filmmakers?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1134.767,1137.47"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/286","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Which ones are just interested parties?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1137.47,1139.573"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/287","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This is, you're both?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1140.46,1142.147"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/288","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Okay.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1143.298,1144.131"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/289","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(laughter)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1144.131,1144.964"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/290","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You have a major in film?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1144.964,1148.133"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/291","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Anyone ever take film classes, history, theory?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1148.133,1153.133"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/292","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Anything along those lines, okay.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1153.51,1155.44"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/293","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So you probably got your general standard brainwashing","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1155.44,1160.44"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/294","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but I'm gonna just throw a little test at you.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1160.72,1165.473"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/295","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And you got multiple choice quiz and this is A, B and C.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1166.523,1170.98"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/296","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But I really just wanna see how brainwashed you all are.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1173.654,1177.03"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/297","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Either people who've never had any film history courses","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1177.03,1179.67"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/298","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you know, will probably know the answers to these.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1179.67,1182.704"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/299","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So be brave, take a shot at this, okay.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1182.704,1184.81"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/300","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The question is, who was the first director in history","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1184.81,1189.02"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/301","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to do a narrative story on the screen?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1189.02,1192.41"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/302","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Was it A,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1192.41,1194.899"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/303","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(indistinct)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1194.899,1197.316"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/304","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"B,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1199.42,1200.678"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/305","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(indistinct)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1200.678,1203.095"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/306","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"C,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1204.29,1205.373"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/307","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(indistinct)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1205.373,1208.2"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/308","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You wanna go with 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lucky at a school.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1239.55,1241.043"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/317","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"First don't mind that.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1242.92,1244.02"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/318","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Well, I sound wise ass when I say the real answer is D","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1247.66,1252.66"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/319","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Alice Guy-Blache.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1254.16,1256.021"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/320","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And this was a trick question, it was a trick question 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kind","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1270.46,1272.4"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/325","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of left out in history stories.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1272.4,1275.26"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/326","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Where's 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old","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1302.964,1305.077"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/335","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and in those 90 years, women have held important decisions","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1305.077,1308.636"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/336","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as I said, as directors and focus directors, 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writers.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1331.5,1334.647"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/339","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And technicians.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1338.36,1340.25"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/340","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But, for years you've been told 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generations","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1351.85,1355.11"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/347","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of these early women filmmakers as saying,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1355.11,1358.447"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/348","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"They were a little more than a lady's 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ourselves.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1364.52,1365.893"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/351","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's kind of worth remembering when you go to the movies","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1367.47,1369.982"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/352","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you just want to be entertained, leave your brain at 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storyteller.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1384.42,1389.42"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/357","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And from those films that are available to us to see","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1389.46,1393.11"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/358","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"well, this is not to be confused with 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enough","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1400.65,1403.25"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/361","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to be preserved and passed on.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=1404.719,1406.45"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/362","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm talking about the films that are actually been 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betterment,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2607.76,2611.93"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/685","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"within the context of christian fundamentalism.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2611.93,2614.79"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/686","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"There won't be the most perfect vehicle 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director","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2623.72,2628.72"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/689","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the period.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2629.19,2630.44"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/690","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She was set up in her own studio.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2630.44,2633.76"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/691","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Universal paid for the construction, set her up in business","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2633.76,2638.34"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/692","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and then lost her to Paramount only six months later,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2638.34,2642.33"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/693","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"who offered her a $50,000 per patient contract","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2642.33,2647.11"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/694","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and have all the 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preached","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2656.025,2657.647"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/699","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and their case getting instigated.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2657.647,2660.96"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/700","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now start to go to the movies to have 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soapbox.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2685.97,2687.593"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/709","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Lonely and bereft in the Hollywood of 1939,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2689.12,2692.073"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/710","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the most important film director","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2693.04,2695.66"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/711","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"lied penniless and forgotten by the history","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2695.66,2698.77"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/712","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that she helped to create.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2698.77,2701.07"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/713","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"If the story closer hits 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1988","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2705.43,2708.902"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/716","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"issue if you are extending that now.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2708.902,2711.902"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/717","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now, aside from me being very proud of the fact","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2713.27,2716.84"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/718","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that she did all of her own stunt work","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2716.84,2720.18"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/719","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which you can't really, I guess she's very proud of.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2720.18,2722.86"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/720","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Lillian Gish was the second actress ever","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2722.86,2725.33"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/721","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to become an international movie star.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2725.33,2727.93"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/722","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Also trying her hand at directing in 1921","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2727.93,2731.01"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/723","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with a film called, \"Remodeling Her Husband\".","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2731.01,2734.72"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/724","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"A little known comedy, starring, Dorothy Gish, her sister","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2734.72,2739.11"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/725","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that would be great film of critical success,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2739.11,2741.44"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/726","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but what I didn't like.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=2741.44,2743.377"}]},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26029/annotation/727","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/026/029/original/AV203892_Reel_Women_a.vtt?1620667594","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/026/029/original/AV203892_Reel_Women_a.vtt?1620667594"}]},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26030","type":"AnnotationPage","label":{"en":["AV203892_Reel_Women_a.txt [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729/transcript/26030/annotation/728","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- Thank you for coming tonight. Before I introduce the speaker, I'd like to go over the things that will be shown tomorrow. At 12 noon we'll be having a panel that will discuss the function of criticism. And then at 4:00 PM, we'll be showing the film \"Secret Honor\". And then tomorrow night at eight o'clock, Bob Hicks will be speaking about the first Americans in film. Ally Acker is a filmmaker and a writer and she has forged her own path in the fields of television and film. the winner of the Junior Academy Award in 1979 for \"Silver Apples of the Moon\". Ms. Acker continued on to be the first recipient of the Los Angeles Women in Film Annenberg Scholarship for promise and excellence in screenwriting. Television is also another interest to her. She has written and directed for many programs such as National Geographic's \"Explorer\" series, \"The Today Show\", and \"Attitudes\" from the Lifetime Network, where she was Senior Producer and Head Writer. In 1985 those women whose contributions had been lost due to ignorance and time gained a chance at recognition. For in that year, the Reel Women's Trust Foundation a nonprofit world charitable trust, was founded by Ms. Acker. Ally Acker not only works in the entertainment industry, but also reflects on those who have left their marks. The presentation you are about to hear was called from a documentary, Ms. Acker has been working on for three years. Entitled \"Reel Women\", R-E-E-L, \"Pioneers of the Cinema\". Ms. Acker is now writing a book of the same title which will be out through Harper and Row next October. It is with great pleasure that I present to you, Ms. Ally Acker.\r\n\r\n- Thank you so much. It's great to be here tonight, I really appreciate it. It's cosmic force against us tonight, and especially I'm about to tell you a story that I guarantee you never heard before. Because even if you're a film scholar, this is not a story that they told you in any film schools, or certainly not any books that you've read about. And it's not because the story never happened. It's really because those accessible to the means that we're able to hear the story, simply didn't think there was a story that was quite significant enough to tell. It simply wasn't relevant from my side of story in college. College tells of a story. It's a story of winning and a story when you pursue the life that really went against the grain of a culture that said women shouldn't be achievers. When in fact these women were achievers they were very great achievers and they had a necessity to achieve, in a culture that told her she really would be better off at home. I started this project about five years ago simply with the desire and the intention to... Well, I was in a friend's archives from Los Angeles called the Bison Archive, which is an old steel archive of Hollywood in 1985. And I saw a great collector of artifacts. I love nostalgia and I was looking at all these old pictures of Hollywood, where obviously there are women in these photographs, in the early days who were in very influential, senior leader positions. And I asked one maker of the photo archives, who are these women? Some of them came to say, \"Well, tell me, we viewed them, we simply didn't know.\" So what I did was, that I need start writing to authors of film history like Kevin Brownlow. And I had sent him, Xeroxes, some of these photographs and I said, \"Who are these women?\" And again, he was able to tell me who some of them were but they were a lot of them that he simply didn't know. And so this kind of unearthing went on and on and on. And what essentially happened is that I ended up, going on an archeological dig, which I never thought I was going to do. So the whole process is culminated in about, currently about 35 hours of interview footage with great men and women in the film industry, that I'm still working my way through it and ciphering all good ways from it. So being a documentary filmmaker, and I'm much more of a believer in the image and the sound, I'm going to start off with a 10 minute documentary work in progress, for my film, \"Reel Women: Pioneers to the Cinema\". And then we'll go on from there homes and I'll uncover stories to you that I think you're gonna be very, very surprised by. Either ways, I need to,\r\n\r\n- I was the only woman-\r\n\r\n- Now let's get to work. So you can the see that they made a decision to be the director Alfred Ridge because video I, by the way, you know, black people got treated and did have a lot against them.\r\n\r\n- So what if I said to his son, that his son was paid, and now his son is dead. That's when I thought was the important history, Can I kill it?\r\n\r\n- keep it.\r\n\r\n- Honestly I don't know what that word means you know. When you use that you can know from, I did again, you guess what they mean.\r\n\r\n- Well I heard it and came down the steps and played it the way I thought it should be played. The 50 to a 100 people extra said, he got down on both knees and kissed my hand and said, \"She's always right.\" And after that. ♪ But I got rid of your accent ♪\r\n\r\n- It's hilarious now it wasn't then. And what it says about the film industry I think, less prejudice I guess, in our business. Any business that exist in the United States today. So I went to his funeral,\r\n\r\n- When I did get there, I was sent to an office and the person said to me, how dare you have the studio center, send a tipsy roll here in do this job. And I said William,\r\n\r\n- The history is really a convenience. It's not history at all. It is an outrage towards history of families, towards schools. is one of the charismatic men, he likes cars, and he used to speak to every tenant. And soon it was done at a time when a skilled worker earned $25 a week. she had a daughter earning 10, 000. She was really what you would now call an executive producer.\r\n\r\n- Occasionally, I have been wonderful lately, real kind of players, dialing, quality, wonderful. Now when we have a problem in history in the industry and as just as you said, it isn't,\r\n\r\n- Coming out to I think, the areas of his work I admire most are those whose style is totally, What first comes to mind I was supposed to be around and the work was revolutionized and the whole notion for film ID. Houdini had style, to himself.\r\n\r\n- Because I came out of a period when you didn't get dragged because you said, you won't get married. And then my children.\r\n\r\n- I feel hopefully I am continuing that tradition. But I feel like the pioneering has happened by those,\r\n\r\n- Yes, I think that I was one of the first I really did grew my hair.\r\n\r\n- Women then were needed to go up to Hollywood. and expect to knock on the doors, a chance that they would get a job. I've missed that pair directing with me and what actually happened was pretty nil. So I think, no one's gonna give me the opportunity for myself, so I gotta make it happen for myself. You can't name five of the directors in the world and I couldn't, I can name one and that was it. But that didn't seem to need to be a reason not to pursue it. That somebody should start making with the beginning of movie making. Maybe that would have encouraged more women to make movies. Start believing we're actually, you know documenting it or writing about it, talking about it and not pushing off with this This is not happening.\r\n\r\n- Next slides please.\r\n\r\n- I need light here, just need a minute. Well, back to the very, very beginning of the story. In the very early days of December. One day, And as Star Studio owner, director and executive producer of with Alice Spear Banks and Channel Chapman, Mary Pickford achieved a key, her credit of directing producer off the screen. And yet it was a well-known fact by industry people of the day, that Mary Pickford produced, controlled and directed all of her pictures after 1920. But that couldn't take the grace of Mary, it left room to make Mary's image. And in every charm, Mary Pickford demanded equal footing with men. When she left Fairbanks studios, to try an equal Famous-Players, now known as Paramount, Mary Pickford was paid as Kevin Brownlow said, $10,000 a week. And she made that salary along Charlie Chaplin, Her camera man Charles Roster said that Mary Pickford she knew more about the naked business making you see anywhere else on film. And yet, Mary Pickford's films, were the only vision, the ultimate escapist vision of a woman's life. She's a grown up woman, masquerading around as a little girl to get cookies. And I often wondering during my research what would an non-escapist vision of a woman's life look like on film? So, it's important for you to know that a lot of women want this talk, certainly I couldn't talk about every woman who ever ventured to make a motion picture. I've chosen to focus on mainstream cinema because the mainstream is where we as a culture, we have our ideas of one, you know, the status quo. Why the rules and regulations are for us to be men and women in this world. So women that I have chose to talk about, I've selected them, not only on basis of their contribution of gender, which is indeed stark. But quite enough to make a decision and a kind of determining factor and putting them to talk like this. But I've chosen women's visions, I've actually transformed the way we look at movies today. I was in San. Francisco Women's Film Festival last year. And one of the predominant questions that I kept getting thrown at me was, why do we have to have a Women's Film Festival? Why do we have to segregate women artists out? Now, why don't we have a festival called Men in Film? And my standard answer to that was, we do have a festival of Men in Film but it's called Hollywood. But maybe the more serious answer to that is because no one today, has acknowledged that women have been movers and shakers, and very influential changers, in the most powerful image making industry in the world. And have never been credited for their groundbreaking efforts. So kinda by show of hands see, which ones of you in the audience are filmers? Which ones are filmmakers? Which ones are just interested parties? This is, you're both? Okay. You have a major in film? Anyone ever take film classes, history, theory? Anything along those lines, okay. So you probably got your general standard brainwashing but I'm gonna just throw a little test at you. And you got multiple choice quiz and this is A, B and C. But I really just wanna see how brainwashed you all are. Either people who've never had any film history courses you know, will probably know the answers to these. So be brave, take a shot at this, okay. The question is, who was the first director in history to do a narrative story on the screen? Was it A, B, C, You wanna go with that? Okay, Any votes for, You're lucky at a school. First don't mind that. Well, I sound wise ass when I say the real answer is D Alice Guy-Blache. And this was a trick question, it was a trick question here. Damn right, I got here too. So, what is really amazing that, these women were found to really have started and run major change in the world, always seemed to manage to get kind of left out in history stories. Where's Beth? She left? She ran out? Would you come here and supervise, thank you. Guess I needed those. Kill the lights. The film industry is now over 90 years old and in those 90 years, women have held important decisions as I said, as directors and focus directors, producers, editors, studio owners like Mary Pickford. Writers sometimes very cunning writers. And technicians. But, for years you've been told that women were second class citizens because we have simply not produced a significant body of work that's on par with men. In 1968, the film critic, dismissed the contributions of those two generations of these early women filmmakers as saying, \"They were a little more than a lady's auxiliary.\" And this is how it worked is to get minimalized vote of culture into ourselves. It's kind of worth remembering when you go to the movies you just want to be entertained, leave your brain at home. But it's important to remember that what we're seeing is what the eye of the camera sees. And that perspective is not an objective perspective. It's a very specific eye of one very specific storyteller. And from those films that are available to us to see well, this is not to be confused with films that have been made by women and have simply not been considered important enough to be preserved and passed on. I'm talking about the films that are actually been more kind of passed down. Those films are when women watch themselves in those films we are watching ourselves from their point of view. And if our role models as both men and women appeal to us very subconsciously, leaving millions of images for TV and computers and all the feature films that we see through the books that we read, through the people in our lives that we love. If having those role models are made invisible and scratched from us, how are we as men and women supposed to know what our real life options are? So kind of what we're gonna do, just you and me is redefine history. When I was in graduate school, this is not long ago. I would ask an older student who had already been a network producer for five years at the age of 30 to Columbia University, for screen writing and directing. 1986, we were taught in great detail the contributions of the great directors and these directors were very great. He helped you work with Eric and Charlie Chaplin. What shocked me when I came across all this very esoteric material later on that only my real investors thought of courses on the fields of Alice Guy-Blache. Of Lois Weber. Of Dorothy Arzener who is seated. And my personal favorite Maya Deren. And it was funny they did enough and know enough about about the women themselves to do so. What we were told is that they were more women working in influential decision-making positions here in the movie business, before you were 1920 than even today. Between 1913 and 1927, 26 women were directing in Hollywood. What was more important is that these overlooked filmmakers were really pioneers, because they had no books on how it was supposed to be made. They went against fashion and convention in the subject matter. They made those films as we went along and as a result they became visionaries. So much of the matter today, sings around one well-known fact. The first record in history is directed by a woman. And to this day with significant persuasive evidence this story is either still insisting, it isn't true or else in the middle of magnitude and effect contribution. This is what I mean. Here's a book I found and I'm sure it's part of history courses, called \"The Visionary Filmmakers\". Published as late as 1968 by George Stew, where she said we published a very great, renowned, solid filmmaking tool. And the first director mystery Alice Guy-Blache is listed in this text in this way. Guy-Blache Alice, originally secretary when she was still the only name film working scholar, in making film equipment. She began making short films, intended for use as insertions for clients. She made her first film, \"La Fee aux Choux\" or \"Cabbage Fairy\", some months before Melies, thus becoming the first woman director in the world. Now what's so interesting about this is that in the same book, the entry of Melies, is further seen as the first director of story films, father of network cinema. Not the first male director, but the first director. And although Blache's film was not specifically meant to be entertaining maker, she produced this film to sell more emotion picture camera, emotion picture sadness. The certainly official story film was about affair with humane children may And it's just too bad, she didn't know that marketing because she could make a fortune right then and there. But Sudu shows to invent sub-category of a woman director presumably in order to reserve the title of first director as a man. the moral of the story, he who has asked us to make it publishers gets to mate. And also answers the question as to why major contributions of women early filmmaking have been somehow scratched out of consciousness. There are lots of books and articles on Melies that's there for us to see, but there are barely a handful of articles on the works of Blache. And with very few, none of her features originated more than 200 and very few shots, maybe eight or 10 shots per round. But thankfully, this doesn't take away from the facts as I said, Blache bought over 200,000 in her lifetime. All genres matters of violence, romance, adventures and comedies. Excuse me, she even did a science fiction book called \"In the Year 2000: When Women Ruled the World\". And you know like, it's too bad that her powerful prophecy wasn't as good as her filmmaking. expanded his production and he took her up and he made Alice the Some years later, Alice Guy-Blache formed her own production unit called Solax. And this is the starting of Solax in Fort Lee, New Jersey where it all began in this country between 1910 and 1913, sold that 375 movies, many of which were directed by Blache or were supervised by her. Even blind-deaf Hellen Keller got into the act. As early as 1918 Keller along with her teacher Anne Sullivan, set up Helen Keller Productions to produce a star, a docu-journal based on a story of her life. The film was called the \"Deliverance\". It's still in existence, it's in Washington, DC. I've seen it. It's really a treat, if you're in Washington, just call the Library of Congress and tell them that Allie insisted you see this movie that I've been going already with request for this. Because it says, But if you're familiar with William Gibson's \"The Miracle Worker\", I am convinced that he saw this film. And the film is exact, scene for scene. In \"Miracle Worker\", the only thing that's different is that it's a dialogue. Very, very interesting film. Here's what at 1918 staff of New York Times Praise Kingsley said about the naming of \"Deliverance\". Hellen Keller was supervising the making of her own production. The director passed the script lightly on the floor and Ms. Keller is instantly alert. It sends a signal to the starting director, as possible because of Ms. Keller's unbelievable sensitivities to vibration. One tag is swept when he wants the scene to begin. Two tags when he wants the scene to finish. A third tag is for rehearsal, and four tags means it's a final take. Camera, lights, action. With a single tap of his foot, although she cannot hear, Ms. Keller went through the scene. And, excuse me, because this new found talent for producing even president Wilson agreed to take a big part in the movie. If we are to create images that are true to ourselves as both men and women, we need to know what films have been made by men in order to know what films we wanna make. We need to know the issues of our foremothers in order to determine what possible female we can be. Even if a culture has deemed these visions unimportant, by rendering them invisible. To produce some kind of understanding or context for you, in 1912 filmmaking was really a partial operation. People could very easily, get into acting and writing, and producing, directing, very often I'd say, Loise was making films for that $500. And why about eight years later by the earliest 20s her feature was suddenly tripled and some features were costing $200,000 to make and major ones already close to a million. It was a new kind of Hollywood, it became rampant. Excuse me, my dinner is stuck in my throat. My point is, with it's highly structured star system, it kinda division of labor is controlled by a centralized management. And if you're already in play, its mirroring the changes that taking place in the U.S industry in general. And before it was time there were principles of time to making cars. To some degree the career of one woman named Nell Shipman. Nell Shipman is to some degree a microcosm of what happened to women filmmakers going from this position of being very essential to the industry to being more general. When in 1914, when Nell was 18 years old, she goes in directing her first three features in Universal Studios. And she starred in all of them. By 1915, in her film, \"God's Country and The Woman\", was a huge success, established her as a major independent producer, director, actress one like Mary Pickford, and another production that time won't let us to know about. And she was really at a very young age, a big success. What I'd love to do now is I'm gonna show you a very rare clip from a Nell Shipman film called \"Grub Stake\". And what's so interesting about this is that she was alert about domesticating wild animals. She traveled with a huge entourage of wild porcupine, deer, bear. She took them on location with her and they were the stars of the movie. She was a die-hard ecologist. She believed in and she was way ahead in her animal rights days. And in this little clip, I'll keep talking while this clip is going because it could start at any time. And I'll say a little bit about her as you're watching her but it's really quite extraordinary how she was able to work with these animals. Can you see what you're doing? It is a little bit of black before now so. We couldn't get this to work before.\r\n\r\n- Paused, technical nightmare. Nothing to think about. Get the lights.\r\n\r\n- This is the wrong tip.\r\n\r\n- Okay, this might be a little more to focus. 'cause it's a, While the early 1920s, the films of Nell Shipman failed to get major release and she was forced to close her company. Now, this wasn't due to any sudden loss of talent. She was only just 19 years old in the prime of her life. Nor is it due to any real shift in audience taste. It was really due to these changes that were taking place in the film industry since she wrote her first movie in 1912. Her first fail because they were presented in approach to filmmaking, that was at odds with this new industrial model. She relates, even seeing in the summit of her films, she lacked her power and control. She wants real patients, not using studio sets. She had a really collaborative approach to filmmaking and a very strong sense of independence. Which now made her anachronism in this version of hierarchical film structure. I wish I had simulated where you get your, These are the porcupines, I have no idea how she did this. That's sweet. What did you call her assets?\r\n\r\n- Colorlessness.\r\n\r\n- Okay, I think you're, Grace Kumar was the genius writer of the Francis Forward and Grace was responsible for the whole concept of walking to the serial films or better known as cliff-hangers. Audiences would show up way after to see what in fact happened to the girl in the next episode, very much in for soap operas. The contribution of other women of this period were also lost at the same point in time. Some were forced by people anonymous at the industry and other signs reported long term contracts with the majors as salary actresses. But I often wondered what happens with very large number of script writers and editors who did not have the skill of acting and disappeared without a trace. Well, one of the explanation that I came up with is that in the advent of talkies in 1929 film began to become a very big business. And the big business became organized labor unions, who simply didn't want their names as numbers. Management mindset is that you'll know them when they were managing and enabling you to fill their contractual duties. So as I saw it, as movies became more about money and only secondarily about art, women also got very promptly excluded. Now, all those other women who didn't not allow themselves to be hand in by corset. All the other women who did succeed in mainstream Hollywood. Did they reflect their female visions into their artistic creations? When women bring these women filmmakers to movies. And are these even infeasible questions when it's a good thing that you're working, no matter, it doesn't matter what the content in the films themselves are saying. Lois Weber, was certainly the most successful of women directors in silence days in film industry recognition. In only a 26 years span, Lois Weber directly produced her own story worth 200 minutes, thus becoming of the day. Her cheer remark was that she would only do films with moral messages that she would had been oblivious. In 1916, racism, capital punishment, prostitution, abortion. This is all at a time, you must remember when people were still really trying to figure out exactly what a movie was? Only four years after beginning at the Gaumont studios under Alice Guy-Blache's husband, Herbert Blache, in Fort Lee, New Jersey, Universal Studios contacted Lois Weber, asked her to come to California and become the highest paid silent film director in history. Weber earned in her function $5,000 a week. She was elected mayor of Universal City. No one asks me what that means, but it was a key title so I gotta have to cover it. Her films were always controversial. Her topics were always sensational. But Weber being the christian managing always insisted that her goal was moral betterment, within the context of christian fundamentalism. There won't be the most perfect vehicle for, In 1917, Weber earned the dream of every director of the period. She was set up in her own studio. Universal paid for the construction, set her up in business and then lost her to Paramount only six months later, who offered her a $50,000 per patient contract and have all the profits. But the coming of the, People no longer wants to be preached and their case getting instigated. Now start to go to the movies to have fun. So by the mid 1920s, Weber's all grace were swept. She suffered a nervous breakdown. Her husband divorced her and she was forced to close her company. Now for the next decade she started with her comeback but it was clear to everyone, probably except Lois Weber herself, that she was unwilling to get off of her own soapbox. Lonely and bereft in the Hollywood of 1939, the most important film director lied penniless and forgotten by the history that she helped to create. If the story closer hits you, a lengthier article in Times magazine in February 1988 issue if you are extending that now. Now, aside from me being very proud of the fact that she did all of her own stunt work which you can't really, I guess she's very proud of. Lillian Gish was the second actress ever to become an international movie star. Also trying her hand at directing in 1921 with a film called, \"Remodeling Her Husband\". A little known comedy, starring, Dorothy Gish, her sister that would be great film of critical success, but what I didn't like.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112729#t=0.0,2747.088"}]}]},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730","type":"Canvas","label":{"en":["Media File 2 of 2 - AV203892_Reel_Women_b.mp3"]},"duration":2478.048,"width":640,"height":40,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/112/730/small/lecture.png?1620667597","type":"Image","format":"image/png"}],"items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/content/1","type":"AnnotationPage","items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-iastate.s3.wasabisys.com/collection_resource_files/resource_files/000/112/730/original/AV203892_Reel_Women_b.mp3?1620667597","type":"Audio","format":"audio/mpeg","duration":2478.048,"width":640,"height":40},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730","metadata":[]}]}],"annotations":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031","type":"AnnotationPage","label":{"en":["AV203892_Reel_Women_b.vtt [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e It's one of those known great trivia bits","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=5.34,7.17"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you can bring to parties.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=7.17,8.657"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But that's not why she gets my vote as a pioneer.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=8.657,11.107"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In 1933, when Paramount was","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=12.395,13.93"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in very serious financial disaster,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=13.93,16.53"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"they turned to Mae West, the playwright, for help.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=16.53,19.78"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Her play, She Done Him Wrong,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=19.78,22.63"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was a big smash at the theater","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=22.63,24.58"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and they wanted to know if she would consider","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=24.58,26.38"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"adapting it to the movies.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=26.38,28.19"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She agreed.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=28.19,29.023"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She agreed.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=29.023,29.856"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She said, but only on one condition.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=29.856,33.03"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"First, that she would produce as well as have the final cut.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=33.03,37.52"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Also, she wanted to cast an unknown as her leading man.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=37.52,41.093"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Well, this is not something that the studio chiefs","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=42.38,45.77"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"were happy about, but they were desperate","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=45.77,48.09"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and so they agreed and overnight that leading man","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=48.09,51.84"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Cary Grant, was launched into stardom.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=51.84,53.883"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"What is not always acknowledged about Mae West","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=55.06,57.63"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is that she was a heck of a writer.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=57.63,60.76"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She considered herself a writer 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time,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=67.107,69.94"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"her genius would be her downfall.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=69.94,72.45"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Along with her animated ally, the pre 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movies.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=101.24,103.91"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And when the peace code, made fun,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=103.91,105.97"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the pleasure that she brought to millions","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=105.97,108.064"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"was temporarily over, she was rushed back","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=108.064,110.44"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"into the closet and out marched two feet of purity","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=110.44,113.97"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with the replacement in America's hearts,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=113.97,117.01"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"none other than... alright.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=117.01,119.823"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Dorothy Arzner, holds her claim as the only woman director","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=128.58,132.45"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in Hollywood in the thirties and forties.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=132.45,135.17"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"By the times she came to movies, the industry had had really","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=135.17,138.33"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as I explained earlier, coalescent 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book","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=173.735,175.11"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that's now out of print called Women Made Movies.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=175.11,178.11"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She said she wanted to undo the 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chasers","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=183.29,185.28"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and she portrayed them instead, as persons of intelligence,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=185.28,189.2"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"humor, and 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Glim.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=236.55,239.943"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The story of The Wild Party","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=241.777,243.03"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is really kind of 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night","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1331.716,1335.13"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/380","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but basically, you know, he was talking about Spike Lee","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1335.13,1338.53"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/381","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"being able to do just what he wants to do","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1338.53,1340.57"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/382","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because he refused that seduction.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1340.57,1343.0"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/383","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But it's not so easy for women to do 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Ishtar","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1358.17,1360.65"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/388","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a studio is going to be hard pressed","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1361.895,1363.2"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/389","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"again to give that kind of money","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1363.2,1366.22"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/390","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to another woman director.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1366.22,1367.74"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/391","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You bet that the careers of one woman director","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1367.74,1371.101"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/392","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"affect other women directors.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1371.101,1373.201"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/393","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm going to show you another video.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1373.201,1375.001"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/394","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm going to find the piece that I directed","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1375.972,1378.79"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/395","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for today on women directors.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1378.79,1381.889"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/396","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And we're going to quickly wrap up, and I'll answer","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1381.889,1384.01"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/397","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"any questions that you might 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history.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1800.63,1802.44"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/524","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"As the poet Acury Richonal said,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1802.44,1804.79"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/525","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"it is not only an act of cultural history,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1804.79,1807.3"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/526","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"it's an act of survival.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1807.3,1809.38"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/527","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We need to revision our past by rewriting","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1809.38,1812.08"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/528","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that history to include the heroines.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1812.08,1815.31"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/529","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And also the heroes that we speak of","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1815.31,1819.56"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/530","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in order to tell the truth of our lives.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1819.56,1821.97"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/531","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"By correcting such omissions from our past","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1821.97,1824.147"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/532","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we create new possibilities as men","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1824.147,1826.88"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/533","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and women who are more truthful, present","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1826.88,1829.93"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/534","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and really only them can words like liberation","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1829.93,1833.58"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/535","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"become any kind of possibility for all of us.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1833.58,1836.313"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/536","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Thank you.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1837.697,1838.53"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/537","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'll be happy to answer any questions.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1838.53,1840.122"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/538","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience applauding)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1840.122,1843.289"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/539","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Can I ask you anything?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1854.474,1856.442"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/540","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You know it's so frustrating to do this","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1856.442,1858.865"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/541","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because I just spent the past six months kind of","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1858.865,1862.21"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/542","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"putting my documentary aside","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1862.21,1863.84"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/543","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Because I was supposed to do a book about this,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1863.84,1866.88"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/544","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which Larissa is","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1866.88,1869.044"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/545","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"going to be out next October.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1869.044,1872.0"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/546","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So I really in the past six months developed nothing else.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1872.0,1875.963"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/547","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I'm going to tell you that this is only a fraction,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1876.986,1879.736"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/548","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"smallest, tiniest fraction of the stuff I've found.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1880.84,1885.482"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/549","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And my desire when I do this talk","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1885.482,1887.55"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/550","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is to tell everything I know","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1888.626,1890.34"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/551","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and we're already close to an hour and a half.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1890.34,1893.663"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/552","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So if you wanna buy the book I'm here to say it's pre-sale","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1896.306,1900.47"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/553","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that there are only a limited number of editions","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1900.47,1903.443"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/554","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that are going to be printed","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1903.443,1904.517"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/555","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for the first printing of 4,000 copies","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1906.002,1907.56"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/556","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for the first round.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1907.56,1908.51"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/557","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Laura is passing around a little sheet.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1908.51,1910.97"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/558","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So that if you're interested in getting one","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1910.97,1914.04"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/559","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of these copies, I'm going to hand this to the","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1914.04,1916.841"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/560","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"publisher and hopefully he'll send you","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1916.841,1918.471"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/561","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"some kind of a (background noise drowns out speaker).","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1918.471,1922.54"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/562","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Could you extend","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1922.54,1924.364"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/563","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the women in the film industry?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1924.364,1926.256"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/564","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I was wondering if you were able to document","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1926.256,1929.702"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/565","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the amount of minorities,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1929.702,1931.785"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/566","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"minority women in the film industry.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1932.805,1934.987"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/567","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Yeah, really very few.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1934.987,1936.987"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/568","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It was tough for women and it was","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1938.072,1939.067"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/569","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"almost impossible for minorities.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1939.067,1940.36"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/570","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I mean, in the book I have a section called","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1940.36,1942.06"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/571","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"women of color.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1942.06,1944.507"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/572","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It was on policy as one of the, in fact","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1944.507,1949.07"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/573","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I don't know if any of you have any energy left","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1949.07,1951.86"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/574","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but I did a terrific interview with Euzhan Palcy","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1951.86,1955.91"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/575","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which is a tiny snippet","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1958.227,1959.06"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/576","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of her direct part of the season and also Sugar Cane Alley.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1959.06,1962.133"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/577","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So I have a 15 minute version","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1963.28,1964.85"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/578","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of that and I'd be really happy to stay after","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1964.85,1967.22"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/579","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"if anybody's interested, but you 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is","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1987.17,1989.67"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/586","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that one of the determining factors was","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=1989.67,1991.99"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/587","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that they came from very well educated families in 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fun.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2008.129,2010.16"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/594","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Lily, she used to say","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2010.16,2011.59"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/595","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that there was no place that you would rather be on a Sunday","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2014.213,2018.29"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/596","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the early days of film than at the studio.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2018.29,2020.491"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/597","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"There was just nowhere more interesting to 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other","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2024.0,2028.31"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/600","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and unions not being able to work together.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2028.31,2030.28"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/601","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Nobody knew what that was about,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2030.28,2032.62"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/602","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but I'm digressing a little bit on that.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2033.76,2035.57"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/603","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I just know one of the stories that came out of my 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directors,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2042.977,2047.19"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/606","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"she should be given like complete creative control","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2047.19,2051.04"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/607","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"over anything she wants to do.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2051.04,2053.454"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/608","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"That woman is a genius.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2053.454,2054.604"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/609","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But she had a couple of real nightmare 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Sisters","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2068.968,2071.27"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/614","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on NBC which she gave up.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2073.91,2076.773"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/615","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I mean she wanted to direct but 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project","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2109.364,2112.86"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/628","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that she wrote for two years before they aired it.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2112.86,2115.33"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/629","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I mean, it's horrible.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2115.33,2116.984"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/630","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She never got to make And The Caged Bird Sings.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2116.984,2121.69"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/631","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But Maya Angelou in fact was the first black woman","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2121.69,2126.21"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/632","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to be commissioned by Hollywood to write a script","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2130.7,2133.807"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/633","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and potentially to direct it","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2133.807,2136.31"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/634","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but she was never given the chance.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2136.31,2138.18"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/635","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's really sad.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2138.18,2139.04"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/636","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it was on policy.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2139.04,2140.56"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/637","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This is a very good position because she works both 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why","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2162.51,2166.257"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/646","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you know, the industry is so short-sighted in this way.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2166.257,2170.083"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/647","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Beyond me.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2172.58,2174.033"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/648","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Julie Dash is a black woman who has been working","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2175.09,2177.92"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/649","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for about two and a half years","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2177.92,2179.42"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/650","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on a piece called Daughters of the Dust.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2180.356,2182.7"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/651","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'm not sure where she is with that, but she's done a 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done","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2193.857,2195.54"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/654","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but I don't know where she is with that.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2195.54,2197.593"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/655","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"There was a black staff woman, Rakisha Jones,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2198.836,2202.583"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/656","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"who was a contemporary stunt woman who died","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2203.732,2205.63"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/657","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"at the age of like 30, a couple years ago.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2205.63,2208.203"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/658","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She was really kind of an anomaly, but all these stories","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2210.23,2213.057"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/659","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(background noise drowns out speaker)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2213.057,2217.557"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/660","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e I used to make film music.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2219.681,2222.014"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/661","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I could only find one female composer","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2224.264,2226.375"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/662","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and she's a (background noise drowns out speaker)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2226.375,2227.828"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/663","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"What is there about that","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2227.828,2229.158"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/664","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(background noise drowns out speaker)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2229.158,2231.176"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/665","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"especially (background noise drowns out speaker)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2231.176,2234.43"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/666","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e That's really a good question.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2234.43,2235.263"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/667","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it's not in my field of expertise.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2235.263,2238.92"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/668","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I don't know.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2238.92,2239.753"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/669","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I know that there was a woman who wrote a lot","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2239.753,2243.51"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/670","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the Disney films, Three Little Pigs.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2243.51,2245.573"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/671","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I can't even remember her name right now,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2246.896,2247.94"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/672","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but I'm not real honed on women composers.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2247.94,2252.94"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/673","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I don't know.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2253.423,2254.256"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/674","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"That's a good question.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2254.256,2255.62"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/675","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Music is business, you know,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2255.62,2258.99"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/676","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is nasty almost as the film businesses.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2258.99,2262.964"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/677","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(background noise drowns out speaker)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2262.964,2266.398"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/678","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e As well as I can tell, it sounded like you were saying","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2266.398,2268.27"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/679","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that the women directors produce the same kind","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2268.27,2272.7"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/680","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of film that men did.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2272.7,2274.337"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/681","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e For the most part.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2275.18,2276.24"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/682","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e If that's true","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2276.24,2277.073"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/683","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"then if more women were to become directors","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2278.849,2280.29"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/684","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"now that might be great for them, but for us","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2280.29,2282.175"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/685","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we wouldn't tell the difference.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2282.175,2283.905"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/686","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Well, that's the big, it's the big question mark inside.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2283.905,2287.814"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/687","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Do you have an idea of what women might do","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2287.814,2290.612"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/688","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that would be different?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2290.612,2291.445"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/689","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Well, that's really, you know, I think theory,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2291.445,2293.853"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/690","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"every person here tonight","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2297.64,2299.08"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/691","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Richard wrote something about this too.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2299.08,2301.193"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/692","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"There's something called the male gaze","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2303.54,2306.06"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/693","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which is very famous in film history.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2306.06,2308.7"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/694","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I think since the women's movement came to be","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2308.7,2313.14"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/695","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the early seventies.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2313.14,2314.92"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/696","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Film theorist have been trying to figure out","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2314.92,2317.71"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/697","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"if there's anything at all, in fact,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2317.71,2321.32"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/698","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that would qualify as a female gaze.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2321.32,2325.163"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/699","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And the truth is,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2326.241,2327.77"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/700","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that we won't know until we have a body of work.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2327.77,2332.77"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/701","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I mean, I think the closest we can look and say yes","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2333.0,2336.83"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/702","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"there is definitively a female gaze","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2337.736,2339.668"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/703","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is the female way to look at films","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2339.668,2340.76"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/704","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"are the films of Margarethe von Trotta","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2340.76,2342.85"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/705","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because more than any other woman filmmaker she has","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2344.481,2347.84"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/706","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"had the creative control to do exactly","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2347.84,2351.63"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/707","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and say exactly what she wants to say in movies.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2351.63,2354.63"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/708","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And it's just a shame that they're not serious","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2354.63,2357.97"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/709","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in this country.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2357.97,2358.803"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/710","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So the only way you can see von Trotta's films are","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2358.803,2361.352"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/711","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"if you go to the film festivals and art houses.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2361.352,2364.49"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/712","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's terrible.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2364.49,2365.84"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/713","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But she has six to seven films","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2365.84,2367.81"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/714","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which film critics and theorists pretty well","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2368.647,2371.55"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/715","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"have defined and say this is a woman","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2371.55,2373.27"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/716","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"like all women-centered movies.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2373.27,2375.823"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/717","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Her films basically look at a woman's life","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2377.672,2381.944"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/718","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from a woman's point of view.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2381.944,2383.278"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/719","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And the only way to really define it is to be","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2383.278,2384.353"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/720","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"able to see those films","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2384.353,2386.68"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/721","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and determine what that is for yourself.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2386.68,2389.35"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/722","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But in essence, there seems to be some kind of agreement.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2389.35,2393.201"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/723","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In fact, she's one of the only","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2393.201,2394.196"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/724","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and (background noise drowns out speaker) too.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2394.196,2397.03"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/725","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Interesting that they're both European.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2397.03,2398.98"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/726","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And again, the system that they work in supports a kind","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2400.269,2404.183"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/727","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of filmmaking, where they had chances to basically","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2405.72,2408.49"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/728","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"do anything they want because the industry,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2408.49,2410.323"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/729","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because the government takes it as a loss.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2410.323,2413.733"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/730","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In America, it just isn't the case.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2414.9,2418.126"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/731","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I don't know if it's ever going to be the case.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2418.126,2420.04"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/732","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The closest that you ever see to a female gaze","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2420.04,2422.85"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/733","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with women filmmakers is women who are working","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2422.85,2425.79"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/734","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"independently, and then they seem to lose their voices when","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2425.79,2430.79"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/735","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"they become marginalized into the system.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2431.78,2434.179"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/736","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So it's a tough one.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2434.179,2435.71"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/737","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I'd like to say, yes, there's a female gaze","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2435.71,2438.2"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/738","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but I can't even say that.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2438.2,2440.228"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/739","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I don't know that there is.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2440.228,2442.135"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/740","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Did you want to say something?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2442.135,2443.49"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/741","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Everyone join us over at The Women's Center.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2443.49,2445.879"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/742","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Oh there's a reception.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2445.879,2446.936"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/743","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e For a reception and ask questions there.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2446.936,2448.363"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/744","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We will bring the tape and we've got a VCR over there","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2448.363,2451.54"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/745","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so we can play that tape.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2451.54,2453.403"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/746","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience applauding)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2453.403,2456.57"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/747","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Thank you for coming out.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=2458.36,2461.217"}]},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26031/annotation/748","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/026/031/original/AV203892_Reel_Women_b.vtt?1620667599","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/026/031/original/AV203892_Reel_Women_b.vtt?1620667599"}]},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26032","type":"AnnotationPage","label":{"en":["AV203892_Reel_Women_b.txt [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730/transcript/26032/annotation/749","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- It's one of those known great trivia bits you can bring to parties. But that's not why she gets my vote as a pioneer. In 1933, when Paramount was in very serious financial disaster, they turned to Mae West, the playwright, for help. Her play, She Done Him Wrong, was a big smash at the theater and they wanted to know if she would consider adapting it to the movies. She agreed. She agreed. She said, but only on one condition. First, that she would produce as well as have the final cut. Also, she wanted to cast an unknown as her leading man. Well, this is not something that the studio chiefs were happy about, but they were desperate and so they agreed and overnight that leading man Cary Grant, was launched into stardom. What is not always acknowledged about Mae West is that she was a heck of a writer. She considered herself a writer first and she wrote all of her own material. And as all of the genius is not understood in their time, her genius would be her downfall. Along with her animated ally, the pre 1935 rather pornographic Betty Boop. And for those of you in the audience who are old enough to remember those really early Betty Boop cartoons where she's wearing this one piece little, whatever you call it, leotard, and she bends over and everything is sticking out. Well, it was Mae and Betty who actually brought about that decision to censor movies. And when the peace code, made fun, and the pleasure that she brought to millions was temporarily over, she was rushed back into the closet and out marched two feet of purity with the replacement in America's hearts, none other than... alright. Dorothy Arzner, holds her claim as the only woman director in Hollywood in the thirties and forties. By the times she came to movies, the industry had had really as I explained earlier, coalescent business, complete profits, losses, careers, and reputations at stake and women were very commonly made candescent. It's generally agreed, she's one of the few women directors who were actually written down by critics. Can't see what I'm doing here. It's generally agreed that Dorothy Arzner directed from quote the woman's point of view. Now, what exactly does that mean? One writer named Sharon Smith wrote a book that's now out of print called Women Made Movies. She said she wanted to undo the stereotypes of women characters as scheming witches, likewise husband chasers and she portrayed them instead, as persons of intelligence, humor, and humanity. Arzner cast Katharine Hepburn in one such talky, Christian Strong. That 1933 phenomenon had Hepburn playing a woman aviator forced to choose between her career and her love for a married man. And as you might imagine, that was a fairly no-win situation for a woman in 1930. So Arzner has Hepburn do the only sensible thing that a woman in those days would have done. She had Hepburn committing suicide Kamikaze style. Arzner is also responsible for making one of the very first style films, The Wild Party, with Clara Bow in 1929. That it girl image, by the way, was created by another very famous writer in the period, Eleanor Glim. The story of The Wild Party is really kind of groundbreaking. It takes place in a women's college. It was probably the first time on the screen, and I would love if anybody who knows more about this than I do, to correct me on this, but as far as I've been able to find out, it's the first time on the screen where genuine female bonding takes place. At a women's college, women are seen on screen taking the rap for each other, getting thrown out of school for each other. There is a heterosexual love affair that really plays a kind of second, secondary importance to the female friendships that go on on the screen. It's really quite remarkable. And while they were shooting The Wild Party, it became a problem for the actors to do their little mimicking improvisational body language stuff out there and to come into the front of the room and deliver their lines to a stationary microphone. So Arzner decided right away it's not going to work out at all. And the second day of shooting, she suggested that the sound man bring a fishing pole to the attached microphone to the call so she could follow the actors around. And that's how the boom microphone was born. Revision history. Dorothy Arzner was one of the few women I think in a powerful position who was very conscious about what she was doing. She was using her medium as a tool for transformation. And I always wonder when I look at these, one of the photographs of her, if it's only a coincidence that when we look at this really androgenous image, that it's only an accident that the only thing missing is a cigar hanging out of her mouth. And I often wonder if she felt like she needed this kind of external armor as long as she was sitting in the shoes of man did she really feel like she also had to look like one? So it was extremely rare for a woman to become a filmmaker in the forties and fifties. Maya Deren holds her own as the first American woman to use film in a non linear way. In other words, no beginning, no middle, no end. It was another thing she discovered that filmmaking could do. She was one of the very first to establish the independent film movement in this country and if she was still alive I would kill her. What Maya Deren took this sterile less movement which was a movement that she grew to maturity with, was the concept of traveling to the inner mind for inspiration. Maya Deren created six films, two books, and no children. Now, in those days it was acceptable to be artistic if you were a student and you could also be an artist as well later if you had children. But the schism that Maya Deren felt around these issues is really exemplified in all of her work. Her characters challenged the idea of quote, masculine, quote, feminine. Her films took a knife to the romantic notion of a woman as a passive inactive icon. She was the very first woman recipient of a grant for creative work in motion pictures. And it was her very first film, Meshes of the Afternoon, a film that continues to be an underground classic includes anyone fascinated by visualizations of the workings of the inner mind. For me, what Virginia Woolf was trying to sew in such a difficult way to do on paper Maya Deren in trying to capture a single moment in the mind. Maya Deren, in fact, was trying to do it in a much more difficult way, in a visual way on screen. So this is a rare treat. I'm going to show you a little clip from Meshes of the Afternoon and I think that gives kind of an idea in the trance-like way Maya Deren was working in what she's trying to do. I don't wanna turn the sound up all the way. This is an in camera double exposure that Deren did so well. She's sitting on the couch and she's shooting this in California. In camera optical effects. Would you turn the sound down? There is intermittent music. Okay. We're so miraged by the images that we see on MTV and all the high electronics that we have on video today that it's really kind of hard to remember how difficult it was to do such highly specialized imagery in those days. And she was doing all those opticals in the camera in front of you. You will try and make a little movie on your own. This is a famous one, it's known as a famous wide shot. You could see why. As a popular actress in America Ida Lupino's career is fairly well known. But her directing work is really less well-documented. Ida Lupino held her own and it all nailed Hollywood in the fifties and sixties, and one of those forever. She only made movies with controversial socio-conscious themes that mattered to her. Physical handicap, unwed motherhood, bigamy, break. But unlike those, however, she's not a preacher. Within three years after she closed her company in 1953 Lupino was in great demand for directing television. She directed TV series like Have Gun, Will Travel, Thriller, and Mud Smoked. So taking into account both her television work and her feature film work, Ida Lupino is the most prolific woman director in all of mainstream Hollywood history. Now, she did not like working with other women. She made it well known to them. It's no secret. One, if you were actually accused her of sexist posturing but in an age where being a woman in an all male industry was a stigma, Lupino really didn't need competition. She just wanted to work. And even to the way she became so in depth of so-called male subjects westerns, murders, mysteries, all those things, that she really had a tough time convincing somebody that she in fact could direct a love story. She really wanted to very badly. So finally, pretty late in her career, the GE television theater gave her craft on a plot that starred Ann Baxter and Ronald Reagan which is probably why it was her first and last. This is Regina Babcock who was a wonderful woman producer in the forties. And she's credited with a multimillion dollar screen career of Rita Hayworth by placing her in a very controversial film for the time and a daring striptease scene in a movie classic Gilda. So rarely were women making and producing by the forties unless they were already very well known as actresses. And it should be noted that Betty Davis, Gloria Swanson, Greta Garbo, were all producing and controlling the creative output at the time. So aside from Vann Upp, who was not an actress as executive producer of Columbia Pictures, and a handful of women who were writing like regarding Ruth Garden, Carson Kane, did a lot of the Tracy pictures and also ending with women like Dede Allen. You could literally count the numbers of women working in mainstream Hollywood on one hand between the forties and the mid seventies. I think this is slide, change. Just a few more slides. Do you know how to work the thing? Thank you. Dede Allen was the very first editor to create a separate grade and craft for editing on screen. And she literally, as was pointed out before, she changed the whole notion of film ending with the film Bonnie and Clyde in the 1960s. Now the case of Sherry Lansing who you saw in the video piece earlier for me is probably best. She's the one who kept saying I don't see any discrimination with women in the film business. I don't know what you're talking about. She caught the public's fancy like her friend camper heroine. The beautiful and plumpy model starlet works her way up to a $5 an hour script reader to a studio of power. in 1980 at the age of 45, Sherry Lansing became the first woman president of the major studio, 20th Century Fox. And in fact, the very first woman since Virginia Van Upp in the forties to hold that kind of a position. Lansing is the ultimate in tact and she's the ultimate diplomat. I can personally tell you, she answered all of her own phone calls. She'll you know, if you have any dealings with her she won't have her secretary call you, she'll show you herself. She's really a nice lady, but in opposition to this sunshine image, the themes of film that she produces are about sex, violence, and sins against women. The smashing success, A Fatal Attraction, reinforces the image of the woman as a wicked witch. Lansing's interpretation for this was I was trying to do a sympathetic movie about what happens if you lose your identity because somebody leaves you. Her new film, The Accused, skates a thin line of break as exploitation. Men in Hollywood like David Melnich who produced Roxanne, was twice the boss of Lansing and very record months a lover, produced with her and had quote, a unique ability for being both intelligent and nonthreatening. So it's easier to be not threatening as Lansing in the scene. Then the question is, does the question of gender really ever enter the picture? Her status as a woman is in Hollywood, as Hollywood would have it, invisible. She's a male into a very powerful system that has no interest in being challenged. So is Sherry Lansing and Dawn Steel and women like them who are better boys than the boys of their own name, are they examples of women similar to women of the twenties likely to lose who simply sought to be part of the film industry by coming down, identifying and not transforming. Elaine May opened the doors to directing for women, again with A New Leaf in 1971, which she wrote, directed and starred in. And with A Heartbreak Kid, her work suddenly becoming favorably paired with Wilder. And you know, when you're compared as a woman director to one of the big boys you know that you're probably doing pretty good. Women like Claudia Weill dared to write and direct personal subjects on screen. Her film, Girlfriends challenged the historical notion that relationships among women on the screen could be anything other than catty. And again, the only example I know of is before that was 1929 Wildcard directed by Dorothy Arzner. And so it all started at a time when women's entire purpose for living was to go after a man was timely and thankfully being questioned. Lee Grant continues the tradition of using her multi-faceted talents as both actor and producer and director to show that really like the early days people in fact shouldn't be pigeon-holed into one small task, is really up. It's a dreadful waste of time. Grant was a director of a slew of award-winning documentaries including that Down and Out in America, Coming Back Home for HBO. Her very first dramatic feature which was shown her early reel was the first thing to do the subject of growing old as something other than being a taboo subject for the screen. As someone, Elaine May has written and directed four films, Susan Seidelman and Jo Pickman Silver are the only two American women film directors who are currently developing a body of work. Now, this is really pretty significant because in Europe where the government supports filmmaking and rights and the office of government lawsuit film captains and plenty of box office wait in line and Margarethe von Trotta have, in a very short span of time, von Trotta's only been working 10 years and has already got seven films to her credit. All good and a couple are very exceptional. But this is not done in America. Seidelman is known for directly below budget. Desperately Seeking Susan, before that she gets in the race when she was still in graduate school at NYU. She most recently came out with she had a whole, and before that cookie, I can't remember but it was really Desperately Seeking Susan that catapulted both the careers of Madonna and Seidelman together. And certainly what you see is when a woman will have at least one of the directors today, had a starling and unique debut, they'll do something very interesting in a very different voice. And then they will become, they will be offered a three picture deal. And for the most part, after spending two and a half years of raising money for one picture, which can cause an exhausting experience, they take that three picture deal and their voice slowly becomes marginalized into the mainstream system. I don't know how many of you were at Oxy Davis' very wonderful and inspirational talk last night but basically, you know, he was talking about Spike Lee being able to do just what he wants to do because he refused that seduction. But it's not so easy for women to do that. I think there's Spike Lee, Woody Allen, how many more American male workforce do you know? If a woman fails at a big budget picture as Elaine May recently did with Ishtar a studio is going to be hard pressed again to give that kind of money to another woman director. You bet that the careers of one woman director affect other women directors. I'm going to show you another video. I'm going to find the piece that I directed for today on women directors. And we're going to quickly wrap up, and I'll answer any questions that you might have.\r\n\r\n- Action, action!\r\n\r\n- She's been a director for 18 years. Martha Coolidge remembers when she could hardly get into film school, much less onto a Hollywood lot.\r\n\r\n- When I got into graduate school, they said you can't make Hollywood directors of the world. I proved I could make a film and that was it. There didn't seem to be a reason not to pursue it.\r\n\r\n- Coolidge decided the only way to pursue it was independently.\r\n\r\n- What a warning.\r\n\r\n- When low budget diplomats Valley Girl struck gold at the box office, the studio doors swung open.\r\n\r\n- Making it bring down the door and what I filmed were serious documentaries. I learned later that my big break would be Valley Girl. People consider me to be a documentary filmmaker. I mean, I can't help the fact that I believe sincerely that if I were a man I would be working in this town 10 years before if I wasn't a woman.\r\n\r\n- Studio executives explain it. They wouldn't hire more women directors but there are none. Saying they were tired of being perceived as invisible, a group of 111 women and the Directors Guild of America have gone so far as to take out ads in the Hollywood trades to write those in Hollywood that qualified women directors really do exist. Amy Heckerling appreciates her rare fortune. She's another one of the select women directors who made her name in the teen movie film. Fast Times at Ridgemont High which cost six million to make grossed 16 million at the box office, making Heckerling a box office herself.\r\n\r\n- The screen nation says if you look at the failures, if you say of all the movies made this weekend, how many opening were better? You have a total of\r\n\r\n- Susan Seidelman's favorite film is Making Mr. Right, a $10 million movie or twice the budget of her last Desperately Seeking Susan. Mr. Right is part of a three picture deal that often comes to a successful director.\r\n\r\n- I don't think about the pressure because currently and now I'm sure people compare me, compare this move to Susan.\r\n\r\n- Other recent films that are expected to give their directors a career boost are Testament, directed by Lynne Littman, Legacy, and an award-winning episode of TV's Cagney and Lacey directed by Carol Hogger and the upcoming Children of A Lesser God directed by Randa Haines. Ever since the days of the Nickelodeon, the term woman director has traditional been a carnival concept to those who hold power. Yet, it was a woman who directed the very first story ever put on the screen. It was in Paris, 1896. Alice Roche directed her first drama about a woman who makes children in a cabbage patch. In the thirties and forties, Dorothy Arzner held her own as the only woman directing at a major Hollywood studio.\r\n\r\n- I formerly not because she opened any doors for us. The irony is that there was only and for 40 years, closed doors that are just beginning to open now to a very few of us.\r\n\r\n- I directed in 1933 in a picture called Mr. Strong. Now it's quite peculiar she could occupy that job 50 odd years ago. Would you mind working ?\r\n\r\n- Of all the women making private achievements today, one stands in a class by herself. Barbara Streisand became the first woman in history to direct, product, coauthor, and star in a major motion picture.\r\n\r\n- We must root for each other's successes and not for each other's failures because every woman's and every woman's success opens it a little wider for all of us. We've come a long way, yes. This recognition is wonderful. I look forward to the day we all recognize the quality of our filmmaking and not just because we are women.\r\n\r\n- In 1926, Susan La Follette said it's not so remarkable that women have missed clean breaks in the arts, it's that they have been to achieve anything at all. No artist works in a void. They were all a part of the culture that surrounds us and women directors, producers, and other creative artists could only seek and envision through the culture of which they were a part. A culture which was and still is predominately male-controlled and male-defined. What would a society that could encourage women in creative roles today be like? And what kind of cinema could emerge in such a world? The statistics from a survey like the Directors Guild of America from 1980 revealed that only 14 and 7,332 features made in Hollywood in the previous 30 years were directed by women. And today, out of 5200 members of the Directors Guild about 460 are women. In the past 30 years less than 1% of all prime time television and all feature films have been directed by women. That's startling. That means that the eye of the camera, that vision, still remains almost entirely in the province of men. As we've seen, women have made their marks. Even in very small percentages those marks have been really truly significant. Revision history. As the poet Acury Richonal said, it is not only an act of cultural history, it's an act of survival. We need to revision our past by rewriting that history to include the heroines. And also the heroes that we speak of in order to tell the truth of our lives. By correcting such omissions from our past we create new possibilities as men and women who are more truthful, present and really only them can words like liberation become any kind of possibility for all of us. Thank you. I'll be happy to answer any questions.\r\n\r\n- Can I ask you anything? You know it's so frustrating to do this because I just spent the past six months kind of putting my documentary aside Because I was supposed to do a book about this, which Larissa is going to be out next October. So I really in the past six months developed nothing else. And I'm going to tell you that this is only a fraction, smallest, tiniest fraction of the stuff I've found. And my desire when I do this talk is to tell everything I know and we're already close to an hour and a half. So if you wanna buy the book I'm here to say it's pre-sale that there are only a limited number of editions that are going to be printed for the first printing of 4,000 copies for the first round. Laura is passing around a little sheet. So that if you're interested in getting one of these copies, I'm going to hand this to the publisher and hopefully he'll send you some kind of a .\r\n\r\n- Could you extend the women in the film industry? I was wondering if you were able to document the amount of minorities, minority women in the film industry.\r\n\r\n- Yeah, really very few. It was tough for women and it was almost impossible for minorities. I mean, in the book I have a section called women of color. It was on policy as one of the, in fact I don't know if any of you have any energy left but I did a terrific interview with Euzhan Palcy which is a tiny snippet of her direct part of the season and also Sugar Cane Alley. So I have a 15 minute version of that and I'd be really happy to stay after if anybody's interested, but you bet. I mean, if it was tough for women, it was definitely tough for women of color because film has always been a rich man's industry. Even in the early days a lot of the characteristics that I noticed for the women who were able to work is that one of the determining factors was that they came from very well educated families in general. They came from upper middle class, upper class families. So it was really a much, even in the early days, for anybody to work in film the industry is because it wasn't a business. Nobody's making money. They were doing it for fun. Lily, she used to say that there was no place that you would rather be on a Sunday in the early days of film than at the studio. There was just nowhere more interesting to be. People wanted to be in the business. What's interesting is unions throwing things at each other and unions not being able to work together. Nobody knew what that was about, but I'm digressing a little bit on that. I just know one of the stories that came out of my book is a horror story about Maya Angelou, who of any of the black women as far as women directors, she should be given like complete creative control over anything she wants to do. That woman is a genius. But she had a couple of real nightmare experiences with trying to get And The Caged Bird Sings off the ground. Which I tell in great detail in the book. And she had a piece called Sisters on NBC which she gave up. I mean she wanted to direct but they basically told her, forget it. And they allowed her to co-write the script. She wanted to co-produce it, in fact she did co-produce it. And at the eleventh hour, they wanted to bring in an executive producer who basically insisted that he gets all credit and she take her name off the screen. And she was so tired after about four years of pursuing something that she wanted to do on her own in Hollywood, that she conceded. And then NBC ends up shelving this project that she wrote for two years before they aired it. I mean, it's horrible. She never got to make And The Caged Bird Sings. But Maya Angelou in fact was the first black woman to be commissioned by Hollywood to write a script and potentially to direct it but she was never given the chance. It's really sad. And it was on policy. This is a very good position because she works both now in America and in France, she's not tied to the Hollywood system. She's very flexible. But as Oxy Davis was saying last night just because you're a person of color it doesn't mean the only thing you can direct are pieces about people of color. I mean, your people, you know, and life is wide open and why you know, the industry is so short-sighted in this way. Beyond me. Julie Dash is a black woman who has been working for about two and a half years on a piece called Daughters of the Dust. I'm not sure where she is with that, but she's done a couple of half hour films, one called Illusions. And I think she's close to being done but I don't know where she is with that. There was a black staff woman, Rakisha Jones, who was a contemporary stunt woman who died at the age of like 30, a couple years ago. She was really kind of an anomaly, but all these stories\r\n\r\n- I used to make film music. I could only find one female composer and she's a What is there about that especially\r\n\r\n- That's really a good question. And it's not in my field of expertise. I don't know. I know that there was a woman who wrote a lot of the Disney films, Three Little Pigs. And I can't even remember her name right now, but I'm not real honed on women composers. I don't know. That's a good question. Music is business, you know, is nasty almost as the film businesses.\r\n\r\n- As well as I can tell, it sounded like you were saying that the women directors produce the same kind of film that men did.\r\n\r\n- For the most part.\r\n\r\n- If that's true then if more women were to become directors now that might be great for them, but for us we wouldn't tell the difference.\r\n\r\n- Well, that's the big, it's the big question mark inside.\r\n\r\n- Do you have an idea of what women might do that would be different?\r\n\r\n- Well, that's really, you know, I think theory, every person here tonight Richard wrote something about this too. There's something called the male gaze which is very famous in film history. And I think since the women's movement came to be in the early seventies. Film theorist have been trying to figure out if there's anything at all, in fact, that would qualify as a female gaze. And the truth is, that we won't know until we have a body of work. I mean, I think the closest we can look and say yes there is definitively a female gaze is the female way to look at films are the films of Margarethe von Trotta because more than any other woman filmmaker she has had the creative control to do exactly and say exactly what she wants to say in movies. And it's just a shame that they're not serious in this country. So the only way you can see von Trotta's films are if you go to the film festivals and art houses. It's terrible. But she has six to seven films which film critics and theorists pretty well have defined and say this is a woman like all women-centered movies. Her films basically look at a woman's life from a woman's point of view. And the only way to really define it is to be able to see those films and determine what that is for yourself. But in essence, there seems to be some kind of agreement. In fact, she's one of the only and too. Interesting that they're both European. And again, the system that they work in supports a kind of filmmaking, where they had chances to basically do anything they want because the industry, because the government takes it as a loss. In America, it just isn't the case. I don't know if it's ever going to be the case. The closest that you ever see to a female gaze with women filmmakers is women who are working independently, and then they seem to lose their voices when they become marginalized into the system. So it's a tough one. I'd like to say, yes, there's a female gaze but I can't even say that. I don't know that there is. Did you want to say something?\r\n\r\n- Everyone join us over at The Women's Center.\r\n\r\n- Oh there's a reception.\r\n\r\n- For a reception and ask questions there. We will bring the tape and we've got a VCR over there so we can play that tape.\r\n\r\n- Thank you for coming out.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/40898/file/112730#t=0.0,2478.048"}]}]}]}