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me.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2631.407,2634.577"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/633","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"A spark of understanding, a world of tenderness.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2634.577,2638.107"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/634","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"If only you would allow 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them,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2743.397,2747.687"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/671","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"which sows doubts in her.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2747.687,2750.217"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/672","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"What has become of the moments shared?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2750.217,2752.783"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/673","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"In phase of that same sea,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2754.187,2757.007"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/674","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"when the vision of the future hurled her toward him,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2757.007,2760.257"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/675","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"when their two beings were united in a common goal.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2760.257,2763.967"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/676","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"E studies him, his profile is hard.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2763.967,2767.367"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/677","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"His eyes lose themselves in the distance.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2767.367,2770.727"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/678","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"She takes his hand,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2770.727,2772.227"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/679","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"and tries to interlace his fingers with hers.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2772.227,2775.117"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/680","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"To try to warm herself in his flow in life,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2775.117,2777.977"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/681","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"in his vitality,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2777.977,2779.387"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/682","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"in the blood which flows in his fingers,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2779.387,2781.317"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/683","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"in his odor, in his fire,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2781.317,2783.017"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/684","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"to try to overcome that fear which he's charging in her.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2783.017,2786.563"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/685","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"You must've veil yourself when we arrive at the village,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2788.477,2791.797"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/686","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"a woman must be veiled if she wishes to be respected.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2791.797,2795.687"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/687","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"there's no reason for you","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2795.687,2796.777"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/688","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"to be any different from the other women.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2796.777,2799.277"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/689","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"I shall be called upon","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2799.277,2801.397"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/690","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"because of my role as a teacher","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2801.397,2803.027"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/691","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"to take on great responsibility,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2803.027,2805.287"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/692","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"with respect to the authorities of the neighborhood city.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2805.287,2808.187"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/693","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"I would not wish for people to talk,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2809.857,2812.927"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/694","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"even now, bringing a Christian woman with me,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2812.927,2815.897"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/695","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"will cause a scandal.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2815.897,2817.183"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/696","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"E remains silent,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2818.197,2819.407"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/697","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"she ought to speak, but she remains silent.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2819.407,2822.137"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/698","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"What would she say to him, yet he asked to speak?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2822.137,2825.647"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/699","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"And the scenes of a child would begin again.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2825.647,2828.557"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/700","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"When she tried to confront her father,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2828.557,2830.747"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/701","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"it was then, when she was a child","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2830.747,2833.45"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/702","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"that she should have won the battle.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2833.45,2836.587"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/703","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"She ought to have fist her father down,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2836.587,2839.245"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/704","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"let yourself be nailed into her room.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2839.245,2843.02"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/705","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Die rather than be crucified.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=2843.02,2845.123"}]},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27826/annotation/706","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/027/826/original/AV204019_Celebration_of_Middle_Eastern_Women_a.vtt?1622557109","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/027/826/original/AV204019_Celebration_of_Middle_Eastern_Women_a.vtt?1622557109"}]},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27827","type":"AnnotationPage","label":{"en":["AV204019_Celebration_of_Middle_Eastern_Women_a.txt [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27827/annotation/707","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- Thank you. Is it on?\r\n\r\n- No.\r\n\r\n- No, it's on?\r\n\r\n- No\r\n\r\n- No. Is it on?\r\n\r\n- No.\r\n\r\n- Anybody knows how to make it work? There you got it. You see.\r\n\r\n- It's working now. It's working I can tell it's working. I want to thank very much David for the introduction and I want to thank specially Charlotte and David Bruner for inviting me here. I remember when I came more than 10 years ago, It was a source of big encouragement in my life to be invited here. And it has continued throughout the years this encouragement. When I first started writing songs it was when the war broke out in my country of birth, Beirut Lebanon. I had been singing and playing the guitar before but I had never composed songs and the war was so painful that I had to express it. And it came out in songs, words, and music. I write, I compose in French, as you know my creative writing is also in French and I was fortunate enough to have David translate my first novel in English, Lexizi which is a beautiful translation that he did. And I'm going to be reading parts of this novel, tonight or this afternoon, I'm going to be reading part of the novel, in his English translation. And I will also mix it with some of those songs. I would like to start with one of the songs, which is the very first song that I composed when the war broke out. And you will see that the words are very simple. It says, \"There is no more sunshine, there is no no sun. \"My country of dust has gone under the sea, \"the beaches the childhood, \"the sea rolling over my childhood memories. \"The house or the roof, my dreams and my joy, \"there is no more sunshine, there is no more sun, \"my country of dust has gone under the sea. The olive, the laughter and the bread partaken, \"the one drank in the evening. \"The hands that were intermingling, \"and all these old hopes, the vineyard my aunt, \"and all these old cameras are gone forever. \"The balcony of happiness, shaven right from the sky. \"The orange, the cedar, \"the friend we were expecting to talk about tomorrow, \"the bird slaughtered in the early morning. \"There is no more sun, here is no more sunshine, \"my country of birth has gone under the sea. \"The summer has been hot, \"a summer up dust and madness. \" A summer fury humid as the tears of a child in pain, \"bitter as green hazelnut. \"Everywhere armed bands have beseeched Beirut, \"steering hate, sowing theo, breaking trusts, \"crushing spirits. \"Barricades have risen on the streets themselves \"under the same sky in that same city. \"Brother against brother, sister against sister \"children drawn in the debacle. \"The cannons, the machine gun the rocket and the rifles, \"have rambled from Christian side, and from Muslim side, \"tearing the silence creating desolation perforating hope. \"Blood has run, a black blood, laden with lineage, \"an indorminance blood, a vengeful blood, \"corpses scattered upon the street, \"causing panic call out for other deaths. \"The sea has redden then turned to ink, \"a clank swallowing it's shame. \"The president has made a speech \"stressing the urgency of the moment, \"the needs to end these battles, \"to begin negotiations, \"to sit down before a cup of coffee, \"and learn who began it all and why. \"Leaders of various groups have smiled \"and scratched their heads at the naivety of the president. \"The shooting has been stopped for a while, \"allowing everyone to rearm \" to quickly burry the dead \"and to plan new offenses. \"And the battles have begun to gain, \"greater and more violent because more vengeful, \"more, mortal because nourished by the dead. \"The sixth fleet has received orders \"to steam towards the Eastern Mediterranean. \"America and Russia are on the alert, \"America, once national integrity granted to a small nation, \"which protects her guns and her battle. \"Russia is not content to have the sixth fleet \"at her doorsteps. \"She claims that America has no intention \"of safeguarding and integrity, \"but rather, wants to question all integrities \"and to appropriate them to herself. \"The security council has assembled \"to discuss the Lebanese problems. \"There is a vote which calls for a ceasefire \"all members vote aye except for Russia which abstains. \"The leaders of the arm band smile and scratch their heads, \"they will again have failed, \"a cup of coffee and a discussion, \"they will again have had time to rearm and burry the dead. \"The second truth is followed by battles \"and terrible massacres above all in the mountains. \"For years the villagers, have felt this time coming \"just as they feel, whether rain will \"or will not come to water their fields, \"whether the wind from the desert will proclaim itself \"with weather flowers a sick beast, \"a star that fails to shine on a summer night. \"Even the villagers themselves have learned \"to be distrustful, to arm themselves, to live together, \"according to their denominations. \"The Lebanese villager here is proud, \"he has a sense of honor, sharpened by centuries \"of resistance to whatever he does not want. \"He has it from centuries of withdrawal into the mountains \"fleeing persecution, escaping domination. \"His sense of honor, is translated on to the preservation \"of the virginity of his daughters, \"and the respectability of his wives \"and avenging of blood by blood. \"To provoke a villager, \"is to rush into a shoe at certain phase, \"battles into the mountains are atrocious and passionate. \"In town on the planes and in the mountains, \"each person counts is his dead, and cries out in anguish. \"Groups to take action through nonviolence are formed, \"they march through the streets, riddled with bullets. \"Billow houses battered down like stacks of cards, \"Catholic, Orthodox, and Maronites priest, \"Sunni Shiak and Drew's sheiks, \"Protestant pastors and Jewish rabbis \"all hold hands crying out against the carnage, \"wishing to refuse it in the name \"of the religious identities. \"But this is not a war of religion \"or religious identifications. \"They have forgotten the masses who rocked in misery, \"and who seek to burst \"through the roofs of their petrich havers, \"they have forgotten that those pack their breads \"are not loved. \"They withdraw as they have ventured forth \"a battle of people moving, peace-loving \"refreshing in times of fever. \"Many us track down and rise again to give blessing \"only to be struck down anew, \"many die, without ever having truly understood, \"women weep, and raise their arms to a game, \"to heaven, imploring God take pity. \"Their tears run even to the sea, \"which seems to expect them.\" I will sing now another song about the city of Beirut. \"The city of Tyre and of Beirut, \"a city going up in flames, \"burning, twisted with fear, and circled with wires. \"A blind child groping for the road of the river, \"his hands getting droused on the thorns. \"And the woman is looking for a way out, \"And the woman is scratching with patients, \"the stone that hits her, \"and the woman is holding in her hands a dead child. \"The city has become quiet under the ashes. \"Slowly, the ship leaves the dock \"a humid breeze is blowing, \"Eline's, elbows on Henryl gazing \"at the Lebanese mountains shining in the distance. \"What a beautiful land so ravaged by war. \"What name to give such hatred? \"What face to put upon the carnage? \"What bodies to recognize among the corpses? \"How could the natural hospitality and generosity \"of its citizens give birth to such monstrosities? \"The night is electric \"and the waves seem to flash back an oily gold. \"The sound of the ships moving through the waves, \"awakening her a feeling of vitality, \"which she thought she had lost. \"Perhaps peace will come after all, \"perhaps the fires on the mountains \"will turned into torch lights. \"Perhaps the cannons will turn into flowers and birds, \"and perhaps the vines and the olive trees \"will pour out the wine and the oil \"to citizens eager to pardon to forget, \"and to be reconciled with one another. \"She thinks of the end of the summer, \"when she will look up on that same sea, \"that same shore those same mountains, \"united with him, going to the same goal, \"bent upon its endless bounty. \"Will there then be more peace and hoping these mountains, \"which now do nothing but rearm? \"Will someone or something succeed \"in pursing the mask of her and bitterness, \"which hide the true faces of the people of our country? \"Once again, she sees by the feeling \"that she must begin with herself, \"so that that understanding may help her \"to understand others to reach a solution. \"It is painful but essential, to make her past revive \"to recall that past and to learn from that past, \"in order to move forward to towards the light. \"She loves these boats trips, \"they give her any illusion of freedom. \"The ship cutting through the water, \"her hair free in the breeze, and all the people with whom she can speak \"and engage in conversations about their lives, \"which so little resembled her own. \"It is funny, \"How everyone seems to speak of the same things. \"The latest film, the newest style, \"the latest recording, the latest song, \"where is the war which has destroyed their lives \"up to the moment of boarding ship? \"They seem to have forgotten it \"or perhaps never did experience it. \"Well hidden in panel and protected villas \"often situated on mountain heights, \"in accessible to combatants. \"They have looked upon the carnage from afar, \"going to some local club or cinema to forget the remorse. \"At Alexandria new messengers come on board, \"she notices a young Egyptian women with a sad expression, \"a nervous gestures, smoking cigarette after cigarette. \"E is at once attracted by her independent demeanor, \"her mannerism of an emancipated woman \"mixed with a serious calm and soft expression. \"A combination which one rarely finds among Arab women. \"The young women seems fearful, \"often she looks behind her furtively \"with a preemption as though she's being followed, \"she's like hunted bird trying to fly off. \"She slips behind lifeboats hides out \"in out of the way corners of the ship, \"losing her concentration to sea \"in contemplation which seems painful. \"How to meet this woman is Egyptian, \"how to get into the conversation with her. \"One day, the Egyptian who has noticed her also, \"offers her a cigarette, but E doesn't dare smoke it. \"If Papa and mama should see her, \"but she holds it along while between her fingers, \"it is a way to establish contact. \"There is a whole new world almost within the grasp, \"a forbidden garden of tempting with juicy fruits, \"with a smooth and pageant pulp. \"It is the entrance into a world which will thrill her, \"open a road to knowledge and wisdom, \"into which she will have herself breathlessly \"trying to make up for loss of time, \"trying to discover the reason for the emotions, \"she has been unable to control. \"E dares to light up, her first cigarette. \"She breathes in the bitter and strong odor \"which gives her a feeling of euphoria, \"which she will often there after try again to find. \"The ship cutting with the water, \"her hair to the wind, the first cigarette, the sea air, \"a of freedom and exaltation \"which draws her closer to the Egyptian. \"The Egyptian asked questions, \"Where does E come from? \"Where is she going? \"Why is she so nervous when she smokes? \"is she being watched? \"And while speaking with the Egyptian \"looks behind herself as if she's also being watched. \"She has a nervous tick which makes her eyes blink \"and gets her aspect of feverish intensity. \"She looks out across the sea as if to infinite horizon. \"E does not know why, but she opens herself to the Egyptian. \"She tells her of her life and her plans, \"she tells to of the war, of steel and of death. \"She tells her of camps of salvation and of misery. \"She tells of the city stitched through \"with hatred and vengeance. \"She tells of her own family and their beliefs \"of their feet in a transcendent salvation, \"and of the evangelical tent, \"where every evening a crowd rushes together \"to forget it's problem. \"E makes the Egyptian party to her doubts \"and fears and to her discovery of love. \"E speaks of their plans of the desert country \"to which they shall journey at the end of the summer \"to realize their dream of love, of peace and of hope. \"But the woman begins to cry at first softly \"then harder and harder. \"Now her body shakes, shutters and she sobs, \"E tries vainly to calm her, \"strokes for her tenderly questions, \"What has she said so frightening and anguishing? \"Is it the description of the war \"and the camps which so bothers her? \"The Egyptian turns towards E a haunted look \"a face wet with bitter tears. \"E is seized with fright and helplessness \"in the presence of this distress bursting forth. \"This wound beginning to open, \"this show of bitterness, this pervasive pain. \"The Egyptian wipes away her tears and stiffens herself, \"she looks at E with intensity, \"and in a voice hoarse and still trembling, \"cries out at her. \"Do not go with that man, never go to that country, \"where you think you are going to realize some dreams, \"where you think you can live and be free, \"where you think a woman is respected \"and can stand side by side with a man \"and go forward with equality and mutual respect. \"I, I am coming from there, \"I am fleeing from it. \"I hide, because I am in fear of being pursued, \"I'm afraid that one of my brothers \"may have boarded the ship and will take me back by force, \"or kill me, and toss my body into the sea. \"It should be easy, who would know? \"Besides, who would punish him? \"Since society approves such crimes \"and even encourages them. \"The Egyptian tosses her cigarette butt into the sea. \"Sadly, watching it disappear, snatched up by the waves. \"A noman, a mirror and reflection, \"the echo of one soul in search of another soul, \"in search of communication of understanding \"of light over the walls. \"Her eyes are fixed, her mouth \"shows against a bitter grimace and her hands tremble. \"She turns again towards E, \"seems to hesitate to tell her something. \"She stares at her for a long while, \"then she speaks all at once, \"as though to free herself of a burden, \"which she has been carrying since she boarded the ship. \"Do you know what they do, to the women over there? \"At the age of puberty or even before, or before marriage? \"If inadvertently a woman has succeeded in avoiding the surveillance of the elder women? \"Do you know the suffering of the flesh itself? \"The burning, the rending, the tearing out, \"of their delicate and sensitive organ, lodged between the two legs, \"the excision ablation of the organ called the clitoris, \"and the erotic nipple and the minor labia \"and a major labia also cut mutilated excised, \"and the wounds which bleed and bleed and bleed and bleed \"never endingly. \"And the days and weeks of immobility in the dark, \"legs fastened by cods the body shaken with spices. \"And the feeling of shame, terrible shame \"and the cries of women. \"And the piercing grief which never ends \"when you know that your body will never again be as it was. \"When you recognize that something \"which would give you the power to vibrate to feel, \"has been stolen from you \"when you were afraid of hemorrhaging. \"When you know that your body has been transgressed, \"that you have already been violated \"that a part of your life has been taken away. \"And that instead you have been sewn up tied closed, \"so that you may never again breath 'or open yourself to life to tenderness, \"to the freshness of a desert morning. \"And there were old women cackle cackle cackle cackle happy, \"to revenge themselves what life has taken away from them, \"from them too, happy to see \"that the flow of blood continues. \"That the suffering is not stopped at their own body, \"that the internal circle perpetuates itself 'in turns and turns and turns and turns, what are you doing? \"Why don't you break that circle as I am doing? \"Why not rebel before it's too late, \"before you also become anasazi? \"You have lived the war, \"you have seen the horror of blood spilled in the streets, \"on the earth, external to yourself. \"But if you were to encounter the blood \"and the shame and the horrors \"which you have told me about, \"the mutilated bodies the sex organs ripped away, \"the corpses violated. \"If you should encounter all that internally \"in your own very own flesh, then what would you do? \"E has the impression to be talking to a mad woman. \"She does not understand very well \"the thrust of the Egyptian's words. \"Sexuality has always been a taboo subject at home, \"and the young woman's description, \"gave her a feeling which she cannot fully identify. \"She feels a sharp revulsion, \"at new kinds of violence more cruel \"than those she has already known. \"Her sensibility has been exacerbated, \"and contradictory feelings are insinuated \"by the women's description. \"The Egyptian's expression has taken on a sinister color, \"her face is pale as death. \"All her movements appear concentrated in the cigarette \"whose red tip burns with ash glowing purple and violet. \"Her body begins a nervous and spasmodic trembling, \"which she can't manage to control. \"She looks in every direction with fright. \"One might say a little bird caught in a great net, \"her large eyes dark and sad fixed upon E \"again for a long span. \"With a wild and ravage expression of a being \"who no longer knows where to go, nor to who to turn. \"And then she disappears behind a lifeboat like a child, \"who has just been stopped for something unjust, \"monstrous devastating, \"and who does not wish to show her tears, \"who does not wish to let herself give way to her affliction \"before another person or even anyone. \"During the following days, E searches for the Egyptian.\" If you're interested, you can read the book. I'm going to sing now a song that I have composed on the practice of genital mutilation with million of women suffer from all over Africa and the Middle East. And the song says, \"In the plain they're advancing, \"one by one they are advancing. \"Unconscious of the grip, unconscious of the knife, \"unconscious they're advancing. \"I can no longer sing, I can no longer dance, 'I can no longer gaze you. \"My gaze is veiled with a purplish blue blood \"with a stop put on their ecstasy. \"In the plain the blood is flowing \"and the women are screaming \"while remembering the age of shame. \"When they went under the same knife on the same plain. \"I can no longer color your paintings with pastels, \"I can no more play the song of love. \"My joy is blocked in the scream's street, \"in the tied up hands in the spilled blood, 'the crucified childhood, \"in the stock put on the ecstasy. \"In the plain they are dying out, \"one by one they are dying out, \"to the joy of pleasure to the call of desire, \"unconscious they are being extinguished. \"I can no longer turn you on, I can no longer caress you. \"My passion is veiled, my desire smashed, \"my flames stifled. \"In all of these wounds, in all these cuts, \"In all these scenes sewn on their ecstasy. I would like to sing a song, which is a continuation. Actually, I composed this song when my sister came to this country, when the war broke out in Lebanon. she came to this country to study at the University of Illinois, where I am, and she was having problems writing her thesis. And I wrote the song, which is more hopeful. And I think it's sort of a more hopeful note than what I have been reading to you in the sense that at the end of the novel, E meets again the Egyptian woman who has been able to find love and a new life. And I composed this song for my sister but it also says something about all the women in Africa and the Arab world. And when I was touring Africa, about three, four years ago the women in Tunisia had chosen that song to translate it in Arabic and sing it because they found that it was giving them hope. And the song says, \"She writes what is not popular. \"She envies problems to be hidden. \"She hits herself on the walls of reason, \"and of semiotics and of all criticism. \"She saw the Sun of harvest, \"she put her heart in a prison. \"She took the birds of her novel \"and she told it to go, to go to the horizon. \"We have a city to patch up, \"the orange trees a vineyard to replant. \"The fenabove to search for the women, \"help rise up, hope to find again. \"They will go on holding hands, \"they will trace flowers on the road, \"they will plant trees in the garden, \"they will light the morning star. \"She moves on circled with cannons, \"She throws wings to her prison. \"She takes up each line of her violin, \"and she leads the child to the dawns evergreen. \"I learned to sing in your hands, \"I weave the threads you stretched out. \"I found the words you missed out, \"and I wrote, I wrote tomorrow vision. \"The ships,\" again another ship \"slowly departs again, the Lebanese shore. \"They are side by side, \"a Muslim man and a Christian woman, \"an impossible mixture, \"but realized thanks to love and thanks to face \"and thanks to the belief in a better world, \"to a common goal of the triumph \"of the forces of life and tenderness. \"The ship parts the waves, \"the same sea which she crossed several months ago \"with her family. \"Today she is with him. \"She studies his proud profile. \"She loves his expression searching for the dream. \"His caressing hands take hers \"and draw her towards cabin bank. \"It seemed to me yesterday \"that she had entered a similar cabin, \"where the Egyptian had shown her the scar \"between her thighs. \"The monstrous blue secret tricks, \"the erotic nipple torn out, \"old women cackling blood flowing to the earth, \"across to bear a crescent brandish. \"Infinite suffering, inflicted by force, \"and without respite, the halting of joy. \"Pleasure amputated, ecstasy asphyxiated, \"women who demolished. Women crying in every tent, \"women forming in frienzied groups, \"screaming that grief, the desire to live. \"Marry as it please you man, two, three, four wives. \"But if you feel it isn't fair, \"take a single wife or else captives in a war, \"that are worth more to you, \"than to be unable to sustain the needs of a large family. \"Today, he hasn't circled her with his robust arms. \"He carries her to her car to the cabin bank, \"humid, sea salty. \"He caresses her with passion, \"her whole being vibrates next to that man whom she followed \"because she believes in him, \"because he stands as a symbol of liberty and truth, \"because his hand has brought them together \"despite the forces of destruction, which surround them. \"And in spite of the violence of a war \"which has planned to dehumanized corpses, \"in a soul plowed with vengeance. \"His arms strain most strongly, her trembling increases. \"The end of the myth, \"Woman feeble, man strong, \"woman earth, man floor. \"Myths fixed rooted weakness aching grief, \"sea of endless war. \"He ploughs her, she yields. \"She lets go off herself like a being \"totally devoid of vision like a non being. \"She gives in once more to fit me. \"May he guide me he, it is he who has the vision, \"it is he, who will show me the way, \"I am the way, the truth and the life, \"none come to the Father but by me. \"This is by all rights my way, therefore follow it. \"Do not walk those roads \"which would distance you from the way of God, \"behold that is what she orders you. \"Perhaps you will fear him. \"Palestine, Christ, the man of Jaffa, \"the way, which ploughs her, \"the sword, which scorches her, \"the nails, which crucify her. \"My God grant that this cup not to be too bitter. \"Penetrate me or penetrate me and may the torture end, \"so that you may be satisfied, \"satiated that all you deserves need be fulfilled, \"so that at last you you walk down your road to Damascus. \"May you lead me beside the still waters, \"where you and I may live in peace in the green pastures, \"where we may again find Palestine, \"where you and I together may rebuild the Palestine. \"Thanks to you, because you have penetrated me, \"because you have taken me, \"because I have yielded myself, \"because all has its end in your vision of the world, \"in that emblem which were about your neck. \"Emblem of Palestine, symbol of resurrection and the life, \"symbol of a new world, of new values transformed, \"into seeds, which fall, which rain upon the world, \"carrying the rebirth so long awaited. \"I am here in your arms, and you do not even see me. \"You see nothing of me, but a morsel of flesh, \"which you hold in your arms. \"That mythical being, which you turn into party to mold, \"which you build according to an idea preconceived, \"thought for centuries, learned from childhood, \"when you were only a small boy in the great house of Jaffa \"where your father used to say to you, \"you see my son, a plough, an oxen \"are needed to plough a field. \"And since I needed to inseminate it, \"thereafter you must pray God, \"that He causes his mercy to rain down from heaven, \"and you, you listen to him, \"believing that you would always have a land, \"a plough an oxen and believing that God \"would always smile from heaven, \"sending you rain and blessing, filling you with manna. \"You are expert my friend, \"your fingers penetrate me enough to make me feel \"that there is something extra that exists in you \"and which must be might be born of you and me. \"A spark of understanding, a world of tenderness. \"If only you would allow yourself \"to listen to your inner self. \"To let speak that which is deep within you, \"and which you hide beneath the agility \"of your fingers talking over me. \"And you enter my flesh, expertly knowing your way, \"you know the convolution of my mythology, 'but you do not see me. \"You cannot see me, because you will not look at me, \"you are too wrapped in viewing yourself. \"And I, I remain here, my hands empty, \"my womb empty, my thighs patchered, \"all my being thirsty for tenderness, \"for encounter, for discovery, \"all my being awaiting but the explosion come to an end, \"and that my flowering may begin, \"so that I may joke about my hopes, \"and that you eyes will look at and see me. \"Woman who raises to a delight, \"woman who joy is cut down, torn away at its root, \"woman who works with patients at the heart of her being. \"So that other women may see life, \"women frozen in her silence, women crucified in her pain, \"and the little child leaves the maternal breast \"and it launches out toward the river, \"where the dragon awaits her, \"the monster with seven heads, \"which prepares the ending. \"The shoreline is profiled in the distance, \"it is aligned flat and yellow, a yellow of gold. \"It is the desert, which enters the sea. \"As E is gliding towards her future, \" A silence has settled between them. \"It is not a mutual silence, \"it is not a silence of understanding and meaning, \"it is a wall of silence. \"It is a silence which separates them, which parts them, \"which sows doubts in her. \"What has become of the moments shared? \"In phase of that same sea, \"when the vision of the future hurled her toward him, \"when their two beings were united in a common goal. \"E studies him, his profile is hard. \"His eyes lose themselves in the distance. \"She takes his hand, \"and tries to interlace his fingers with hers. \"To try to warm herself in his flow in life, \"in his vitality, \"in the blood which flows in his fingers, \"in his odor, in his fire, \"to try to overcome that fear which he's charging in her. \"You must've veil yourself when we arrive at the village, \"a woman must be veiled if she wishes to be respected. \"there's no reason for you \"to be any different from the other women. \"I shall be called upon \"because of my role as a teacher \"to take on great responsibility, \"with respect to the authorities of the neighborhood city. \"I would not wish for people to talk, \"even now, bringing a Christian woman with me, \"will cause a scandal. \"E remains silent, \"she ought to speak, but she remains silent. \"What would she say to him, yet he asked to speak? \"And the scenes of a child would begin again. \"When she tried to confront her father, \"it was then, when she was a child \"that she should have won the battle. \"She ought to have fist her father down, \"let yourself be nailed into her room. Die rather than be crucified.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002#t=0.0,2851.056"}]},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116002/transcript/27827","type":"AnnotationPage","label":{"en":["English 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tenderness","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=10.1,13.4"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which she places between her and man","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=13.4,16.22"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so that he may learn to do otherwise.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=16.22,18.82"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She takes the child, which she hides in bosom far","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=18.82,21.317"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from the face of the surface,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=21.317,23.453"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"refused to wear the veil","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=25.4,27.1"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and why? he wants to penetrate that world of the veils.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=27.1,31.94"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"World of women behind the veil,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=31.94,34.28"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"world of beings in silence,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=34.28,36.8"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"world of waiting, world of words never spoken,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=36.8,40.043"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"world of glances which question,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=40.93,43.17"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"word of mouth seal shuts of child after child.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=43.17,47.15"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Wills of gestures","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=47.15,48.24"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which cross each other without meaning that dark world","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=48.24,52.05"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"world of despair and suffering","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=52.05,54.57"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"world which calls through to it,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=54.57,56.46"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because she has been chosen to understand it.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=56.46,59.513"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She draws back her hand, which has become IC","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=61.33,64.46"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for heartbeats so hard that she feels it will burst.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=64.46,67.693"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The ship is already quite close to the dock.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=69.06,72.47"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"She's rising from the land and envelopes 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-:\u003c/strong\u003e Thank you. (clapping)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=1233.739,1238.739"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/199","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(indistinct conversation)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=1247.173,1250.673"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/200","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e I enjoyed you so 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you.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=1324.798,1326.1"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/215","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Thank you for coming.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=1326.1,1327.25"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/216","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(foreign 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coming.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=1379.436,1381.56"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/219","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(foreign language)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=1381.56,1384.477"},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/220","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(indistinct 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[Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27828/annotation/224","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/027/828/original/AV204019_Celebration_of_Middle_Eastern_Women_b.vtt?1622557114","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/027/828/original/AV204019_Celebration_of_Middle_Eastern_Women_b.vtt?1622557114"}]},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27829","type":"AnnotationPage","label":{"en":["AV204019_Celebration_of_Middle_Eastern_Women_b.txt [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27829/annotation/225","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- And the woman takes the cinders, and that makes flowers. She leaves a curtain of threads of love and tenderness which she places between her and man so that he may learn to do otherwise. She takes the child, which she hides in bosom far from the face of the surface, refused to wear the veil and why? he wants to penetrate that world of the veils. World of women behind the veil, world of beings in silence, world of waiting, world of words never spoken, world of glances which question, word of mouth seal shuts of child after child. Wills of gestures which cross each other without meaning that dark world world of despair and suffering world which calls through to it, because she has been chosen to understand it. She draws back her hand, which has become IC for heartbeats so hard that she feels it will burst. The ship is already quite close to the dock. She's rising from the land and envelopes them. It is a humid heat, which sticks to the skin. The crowd is pressing towards the exit. For an instance, she sees with panic. Wouldn't it be better now to her to set to herself into the water too and heal it herself. Wasn't for all, never to have to confront that life which I went through out there in the stifling heat of days which will never be clear and fresh, with that man who has become a total stranger to her and who will present a world of women which she's going to discover. She must win victory for them or at least one among them must win out. His brother is already there awaiting them. He wears the same somewhat mocking smile. She had noticed to pee on tea. In the beginning, when he had been waiting for her outside the gate at school. The brother is staring fixedly at her. It puts her hands to her face. All this will be different when heavy cloth makes separation between her face and his team, she will see him as he sees him now. But he will see of her only a shining fabric, which hides the features of the one who looks at him. He will sense that she's looking at him, but that is all. That will be no communication. The woman shopped behind the veil is forced inwardly upon herself. She beats against the wall of her heart and her blows rebound against the veil. She regards from the interior of the veil her past, the present and her future which are back when same element image. She cannot even cry, for tears invisible mark, only the skin behind the veil. What others see is never a true reflection. Perhaps it would be enough. This is another song, perhaps it would be enough, to have one single word or two interlaced hands to turn madness into love to turn leaving into coming back to change that into life. All South of my country, heart of the madness where the child has fallen at the point, we end of hope at the point where we should have planted love. Perhaps it would be enough to have one gesture to have one thing or one symbol. So the sword to turn into flower, for the blood to become earth, for your name to be inscribed in me, or heart of my country heart of the universe or center of the earth where the camp gave up, where we should have given for, perhaps it would be enough to have some faith, perhaps that it would be enough to reinvent some words, there where hatred is let loose where the bad is castigated, where my past remains caught. Perhaps it would be enough to write one melody or one course for the screams to become songs, for the child to become bad, for men to learn to love all over again, or city torn apart or vineyard stained with blood or bodies tortured or ravaged faces where we should have lived loved life. I'm going to sing one more song. And perhaps I could take some questions, if you have questions or I can continue reading and singing each, like I would like to sing one more song which is a song taken from a poem that a friend of mine some of whom may know any Snyder. He's also one of the pioneers of African literature like Charlotte Bruner who's was the first one to teach her to start a course in Africa in this university and in the country. And Ms. Snyder was also a pioneer of African literature and he composed a song when Lumumba Eduardo Mondlane, chief of the Frelimo was assassinated in Africa. And he was in Africa with Eva who's his wife now, wasn't at the time. And she wrote a beautiful poem. I took the first line of these poem that says, 'I love you and then I die' I took the sentence. It's not his poem. I made the song starting with that line which I found so beautiful. And the song says his life is made of dream of mysteries of tenderness and of hope. She walks on a plane in the expectation, in the drunkness of knowledge. He didn't know how to see. He didn't know how to believe. He didn't know how to capture a time. I love you and men are dying. I love you and men are falling. I love you and the night is descending on your city of dreams. He goes alone on the roads. He exhausts the language of his thoughts. She walks in his story. He invents himself images of the future. He comes dressed in a star. His eyes are offering his hair off earth in his hands. He's holding a flower. Will you be able to tell us, will you be able to write, will you be able to cross silence, teach us how to break the chains, teach us how to tear hatred, teach us how to trace the lines of memory. I love you and men are dying. I'd be happy to take questions. Or if you have a request or if you have a song that you would like to sing. It's difficult, do you know? It's funny because you see me but I don't see you. I see only the faces very close.\r\n\r\n- Sing another song.\r\n\r\n- Sure.\r\n\r\n- This is my latest song, I wish I had, I have some musicians to play with me and it's a bit easier when they play, because it shifts from two different tonalities, minor and mitrons, it's nice to when I have that accompaniment, it's a song that I wrote last year, when a friend of mine was killed in Lebanon, washing his hands in his house, in the mountains, innocent victim of the hatred. I mean, it was two bullet shrapnel that went through the window and hit him right in his throat. And he and his wife were very good. She's a very good friend of mine. They were both very, very dear friends of mine. And I was very upset by this loss. And I wrote a song, about the stupidity of war and violence. War has destroyed everything. Hatred has wrecked all hopes. Vengeance has killed the life of my full country. He has left us, the friend who was holding our hands. He has given his heart and his songs. He has flown away like the morning bird, the camera, the friendship circle, or conceived on the war. Violence reteach itself in blood. Profession of all the innocence, cadavers under the ruins. He has fallen the friend who had understood us. He has given his flowers and fashion. He has found the secret of life. The brother lost forever, war, this monstrous war, bombs these agents of deaths, the anger of all the innocence, dying, dying, dying. The friend has crossed the most beautiful forest. He has inscribed his smile in the night with his companion, he has revived and shared a union we will never forget, war this revolting war. Occupation to which we see no end. The courage of those who are still believing in their true country. Bear with me since it's a new song.\r\n\r\n- Thank you.\r\n\r\n- I enjoyed you so much,\r\n\r\n- Thank you. I heard you back in 1980.\r\n\r\n- Oh, you did!\r\n\r\n- And David gave me a copy of your book, and I don't think there's anything that has ever affected me so much. Your singing is marvelous.\r\n\r\n- Thank you, thank you.\r\n\r\n- I get very discouraged with the whole world situation at the present time, but it's wonderful that you are around.\r\n\r\n- Thank you very much.\r\n\r\n- I'm glad to meet you.\r\n\r\n- Thank you for coming.\r\n\r\n- I didn't want to miss that.\r\n\r\n- Thank you for coming.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003#t=0.0,1594.92"}]},{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27829","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2486/collection_resources/43206/file/116003/transcript/27829/annotation/226","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/027/829/original/AV204019_Celebration_of_Middle_Eastern_Women_b.txt?1622557115","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/027/829/original/AV204019_Celebration_of_Middle_Eastern_Women_b.txt?1622557115"}]}]}]}