{"@context":"http://iiif.io/api/presentation/3/context.json","id":"https://iastate.aviaryplatform.com/iiif/kk94747x8w/manifest","type":"Manifest","label":{"en":["Piano lesson. Primary chord progression I IV V7, accompaniment patterns: Clementi Sonatina in D major, op. 36, no. 6 by Muzio Clementi"]},"logo":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/004/original/ISULogo.png?1601681107","metadata":[{"label":{"en":["Publisher"]},"value":{"en":["Iowa State University. Library"]}},{"label":{"en":["Rights Statement"]},"value":{"en":["https://creativecommons.org/licenses/by-sa/4.0/","This resource, created by Janci Bronson and made available by Iowa State University Library, is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license. You are free to share or adapt the material as long as you provide attribution and follow all other terms of the license."]}},{"label":{"en":["Agent"]},"value":{"en":["Bronson, Janci (creator)","Iowa State University. Miller Open Education Mini-Grant Program (sponsor)","Clementi, Muzio, 1752-1832 (composer)"]}},{"label":{"en":["Language"]},"value":{"en":["eng"]}},{"label":{"en":["Description"]},"value":{"en":["Janci Bronson, teaching professor of music at Iowa State University, demonstrates chord progression and transposition.","This open educational resource (OER) was created with partial financial support from a grant generously provided by the Miller Open Education Mini-Grant Program at Iowa State University. (note)"]}},{"label":{"en":["Format"]},"value":{"en":["video/mp4"]}},{"label":{"en":["Date"]},"value":{"en":["2021/2022"]}},{"label":{"en":["Identifier"]},"value":{"en":["Bronson_36"]}},{"label":{"en":["Relation"]},"value":{"en":["Janci Bronson instructional piano videos"]}},{"label":{"en":["Subject"]},"value":{"en":["Piano--Instruction and study","Piano music","Teaching--Aids and devices"]}},{"label":{"en":["Type"]},"value":{"en":["Moving Image","instructional materials","open educational resources"]}}],"summary":{"en":["Janci Bronson, teaching professor of music at Iowa State University, demonstrates chord progression and transposition.","This open educational resource (OER) was created with partial financial support from a grant generously provided by the Miller Open Education Mini-Grant Program at Iowa State University."]},"requiredStatement":{"label":{"en":["Attribution"]},"value":{"en":["https://creativecommons.org/licenses/by-sa/4.0/","This resource, created by Janci Bronson and made available by Iowa State University Library, is licensed under a Creative Commons Attribution-ShareAlike 4.0 International license. You are free to share or adapt the material as long as you provide attribution and follow all other terms of the license."]}},"provider":[{"id":"https://iastate.aviaryplatform.com/aboutus","type":"Agent","label":{"en":["Iowa State University"]},"homepage":[{"id":"https://iastate.aviaryplatform.com/","type":"Text","label":{"en":["Iowa State University"]},"format":"text/html"}],"logo":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/organizations/logo_images/000/000/004/original/ISULogo.png?1601681107","type":"Image"}]}],"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/174/743/small/Bronson_36_Prim-chord-prog.mp4_1676578919.jpg?1676578923","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743","type":"Canvas","label":{"en":["Media File 1 of 1 - Bronson_36_Prim-chord-prog.mp4"]},"duration":644.5439,"width":640,"height":360,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/174/743/small/Bronson_36_Prim-chord-prog.mp4_1676578919.jpg?1676578923","type":"Image","format":"image/jpeg"}],"items":[{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/content/1","type":"AnnotationPage","items":[{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/content/1/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-iastate.s3.wasabisys.com/collection_resource_files/resource_files/000/174/743/original/Bronson_36_Prim-chord-prog.mp4?1676578918","type":"Video","format":"video/mp4","duration":644.5439,"width":640,"height":360},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743","metadata":[]}]}],"annotations":[{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783","type":"AnnotationPage","label":{"en":["Bronson_36_Prim-chord-prog-en.vtt [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Hello pianist! Today we will continue expanding \nupon our building blocks of music by learning a  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=4.08,8.72"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"very common chord progression of one four one \nfive seven. And one a perfect example of this  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=8.72,16.16"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"chord progression used in actual repertoire comes \nfrom Muzio Clementi Sanatina number six from his  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=16.16,21.36"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"opus 36 teaching Sanitinas this uses our chord \nprogression that we'll learn today in its order  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=21.36,27.52"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that we most commonly see out of our four six four \none five six five and one it's a very operatic  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=27.52,34.0"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"uh dramatic type of piece that you'll hear those \nfort sandoz their fortissimos their sudden forte  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=34.0,39.68"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and piano shift so watch the score \nas i play along just a short excerpt  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=39.68,43.36"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of one through eight see if you can notice some \nof those patterns we've already talked about  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=43.36,46.64"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"roman numerals lead sheet or slash chords \nwith those inversions then I'll teach you  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=46.64,50.64"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"how to play this progression \ntoday in all 12 major keys enjoy","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=50.64,57.84"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"all right so let's get you learning how to play \nthese chords that way it's easier when you see it  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=75.52,79.04"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in repertoire it will serve as great reduction \npractice as well okay so these common chords  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=79.04,84.08"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"appear in classical pop jazz and sacred music you \nmight have noticed from the Clementi that these  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=84.08,89.52"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"chords are moving pretty quickly so Clementi uses \nthe inversions you will learn today we'll talk  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=89.52,93.92"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"about those as roman numerals and lead sheet \nsymbols he's also using a very common pattern  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=93.92,98.24"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"called the Alberti base and I'll teach you \nhow to play that today so after today you'll  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=99.44,102.8"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"be able to play your progression you'll \nbe able to transpose it to 12 major keys  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=102.8,106.24"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"name them as roman numerals lead sheets and \nplay in some common accompaniment patterns  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=106.24,109.92"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so let's go back to the key of c major our \nstarting point and let's just talk through  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=109.92,114.16"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"roman numerals we'll start with the one chord so \nthis is built on the first scale degree of c major  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=114.16,120.56"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"one can really go anywhere but we're going to \nfirst just start with three chords it's going  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=120.56,124.24"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to go to the four chords you think \nfourth scale degree in the key of c  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=124.24,127.52"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"one two three four is f major f a c just triads \nto start we're gonna go back to the one chord  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=127.52,135.12"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"next is the five seven so the fifth scale \ndegree in c one two three four five is g  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=136.4,143.2"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/25","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"these chords come from application you notice \nClementi used it as a five seven so the seventh  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=144.64,149.76"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/26","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"above g one two three four five six seven \nmakes it a g7 we just play the notes out of  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=149.76,155.84"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/27","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"our key back home to one so our progression will \nbe the one the four one five seven back home to  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=155.84,166.4"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/28","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"one so you might have noticed that's \na lot of jumping between my hands  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=167.36,170.8"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/29","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we're not going to play those as root position \nchords it's kind of clunky to move around that way  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=170.8,174.56"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/30","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"inversions sound better it's easier just \nto move by seconds to change these chords  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=174.56,178.48"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/31","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so we'll use the inversions that Clementi used \nas well so to get to our four chord of an f a  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=178.48,184.0"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/32","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"c i can keep my c in place all i have to change \nare the top two notes up to f and a we're going  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=184.0,191.04"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/33","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to analyze the whole and half step patterns \nas we go that way you can transpose it so c  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=191.04,195.28"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/34","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to f over c my middle note is going to move up \na half step to f top note up a whole step to a  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=196.08,203.28"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/35","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"back home to the one for the five chord g b d \nf so i can keep my g in place i can go down to  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=204.32,212.88"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/36","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a b and the f we often leave off the fifth of \nseventh chord so I'm going to play this as b f  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=212.88,219.12"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/37","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and g this is actually the first inversion of a \nfive seven here's root we can leave off the fifth  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=219.12,225.04"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/38","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for ease of playing bring it up to first inversion \ni have bfg back home to c so let's talk about this  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=225.04,232.8"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/39","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"whole and half step patterns again from one \nto five six five from one to five six five  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=232.8,236.96"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/40","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"bottom finger goes down a half middle up a half \nback to c so if you use these whole and half  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=236.96,243.2"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/41","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"step patterns you can transpose this to other keys \nlet's try this out in d major the key of Clementi  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=243.2,248.16"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/42","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Sonitina d f sharp a the one chord four six \nfour second inversion middle note up a half step  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=248.16,254.72"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/43","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"top up a hole d g b back down to the one chord \nhome to the 5 6 5 bottom finger goes down a half  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=254.72,263.28"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/44","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"step middle finger up a half step top finger \nstays in place for c-sharp g and a back home  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=263.28,270.4"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/45","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to the one chord d f-sharp a friendly reminder \non roman numerals remember those numbers refer  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=271.52,277.92"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/46","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to intervals above the base so the \n4-6-4 means it has a six and a fourth  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=277.92,283.12"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/47","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"above the bass note one is root position five six \nfive first inversion of a seventh chord there's a  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=283.76,291.28"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/48","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"sixth and a fifth above the bass notes how we \nget those figured bass numbers back home to one","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=291.28,297.6"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/49","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"all right let's apply some of those lead sheet \nsymbols let's go back to the key of c major  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=300.0,304.24"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/50","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"remember lead sheet symbols are slash chords label \nthese with letter names so we have c major all you  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=305.04,310.32"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/51","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"need to have to write is c 4 6 4 the root over \nthe base would be f over c back home to c major  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=310.32,318.96"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/52","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"next chord g 7 over b we need to say \nthe seventh as it's different than  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=320.48,325.76"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/53","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"just the triad movement back home to c i \nwould practice that again see if you can  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=325.76,330.4"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/54","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"play it without watching your hand so you \ncan memorize kinesthetically how it feels","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=330.4,334.0"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that way you're ready to play it really quickly \nwithin repertoire all right let's go to the key  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=336.88,340.4"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of d major let's name lead sheets we have \nd 4 6 4 is g over d or g slash d back to d  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=340.4,347.76"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/57","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"5 6 5 a a7 over c sharp back home to d I'm not \ngoing to go through all 12 major keys that would  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=348.72,356.32"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/58","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"take much too long in this video but you can \npause it there and transpose those to those  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=356.32,360.8"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/59","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"other group two triads of a and e let's move \nto group three triads let's learn e flat let's  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=360.8,365.52"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/60","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"say you want to accompany an alto saxophonist \nthey're in the key of e flat there's our home key  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=365.52,370.8"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/61","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"middle note up a half top of a hole a \nflat over e flat back home to e flat  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=371.52,377.36"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/62","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"5 6 five bottom finger down a half middle \none up a half fifth finger stays in place  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=378.32,383.12"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"b flat seven over d back home to e flat \nyou can pause it there and practice  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=383.84,390.56"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a flat and d flat as well last group is four let's \ngo to b flat a very common key for bands and jazz  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=391.28,397.68"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/65","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"ensembles gotta start here to be able to play \nyour jazz chords so b flat df for the one chord  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=397.68,402.96"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/66","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"middle finger up a half top up a whole and \ne flat over b flat back home to b flat 5 6 5  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=403.84,411.68"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/67","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"bottom finger down a half middle up a half f \n7 over a back home to b flat you can pause it  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=411.68,419.12"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/68","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"there and also practice b and f sharp and then \nyou have all 12 major keys practice them just  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=419.12,424.56"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/69","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"blocked that way not watching the hands remember \nwhen you have black pieces slide in towards the  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=424.56,428.8"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/70","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"fall board to make it easier to play okay let's \ngive you some next steps to really make this  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=428.8,432.88"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/71","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"helpful for repertoire we're going to play this \nin a variety of accompaniment patterns i'm going  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=433.44,437.2"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/72","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to start with some of the simplest ones let's \nsay you have a time signature of 2 4 or 4 4 and  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=437.2,442.8"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/73","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"your left hand has to do something accompanimental \nwhile the right hand is playing chords or melody  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=442.8,447.04"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/74","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so the first one is the broken chord i'll play \nit in both hands for some practice back in the  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=447.04,451.52"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/75","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"key of c broken chord is the bottom note of the \nchord by itself top two of the chord together  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=451.52,458.48"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/76","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so c e to g would work in a two four you \ncan also play the right hand as the chord  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=459.6,464.64"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/77","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"four six four c f a c e g together five \nsix five b f g together back home to c  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=466.48,475.92"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/78","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"if you want to play in 4 4 simply repeat \nthat pattern twice you could play a staccato","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=477.2,482.64"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/79","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"okay next one that you heard in Clementi is \nthe Alberti based accompaniment very common for  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=489.2,493.44"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/80","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"classical music they even slow it down within \nromantic literature can sound quite lyrical  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=493.44,497.52"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/81","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"so let's go to the key of d major that \nof Clementi the pattern is the bottom  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=498.24,502.64"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/82","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"note the top note of the chord middle top \nbottom top middle top play it on at 4 6 4.  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=502.64,509.6"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/83","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"think ahead 5 6 5 bottom \nnotice c sharp top is a g a c","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=517.12,523.36"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/84","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we'll use some rotation technique \ni'll talk about another video  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=526.88,530.08"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/85","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"add the right hand chords play the left hand \nsoft and light and voice my right hand ladder  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=530.08,534.24"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/86","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"last one would work within a \nthree four the last two rather  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=540.8,544.64"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/87","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"arpeggiated chord let's go to the key of g major  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=544.64,547.84"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/88","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"play the chord tones at separate times g c e \nback home to the one five six five f sharp c d  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=549.04,557.04"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/89","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you can play it smoothly \nor you can play it staccato","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=560.4,562.48"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/90","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and then now the last one is the waltz \naccompaniment if you ever play romantic  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=567.76,570.8"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/91","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"literature, Chopin loves Walt's accompaniment. \nIt's very similar to the broken chord, just going  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=570.8,574.56"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/92","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to repeat the top two twice so I'll do the bottom \nnote top two together, often slurred staccato  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=574.56,582.48"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/93","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"add the right hand cords for hand independence.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=588.64,590.8"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/94","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"All right in summary that was a lot of information \nbut you can pause it and watch the different  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=598.64,602.48"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/95","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"steps as i go through so practice your whole \nand half step patterns memorize those first  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=602.48,607.2"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/96","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"practice transposing it to other keys then \nthank your roman numerals with figured bass and  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=607.2,611.92"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/97","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"version numbers think your lead sheet symbols \neven say those out loud so you can learn it  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=611.92,615.84"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/98","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as you're practicing through practice the right \nhand louder practice accompaniment patterns  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=616.48,621.28"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/99","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the way you're ready when you have to \nplay these in repertoire so have fun  ","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=624.72,628.56"},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/100","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"using these accompaniment patterns and chord \nprogressions to learn more advanced repertoire.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743#t=628.56,631.84"}]},{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/2196/collection_resources/86490/file/174743/transcript/41783/annotation/101","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/041/783/original/Bronson_36_Prim-chord-prog-en.vtt?1676578926","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/041/783/original/Bronson_36_Prim-chord-prog-en.vtt?1676578926"}]}]}]}