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land","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1220.04,1223.5"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/247","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and what lives on.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1223.5,1224.483"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/248","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Ted Kooser looks at everything with the eyes of a 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owls,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1240.07,1245.07"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/253","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and even a mouse in a piano.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1245.43,1247.513"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/254","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"His is a generous life-affirming poetry","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1248.51,1251.21"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/255","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that shows us there's reason to celebrate everything","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1251.21,1255.21"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/256","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that nothing is too small, too young, too old,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1255.21,1259.81"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/257","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or too wounded beyond repair to have its praises sung.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1259.81,1264.26"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/258","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Please welcome Ted 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Cheryl.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1291.68,1293.407"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/261","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And thank you Chris and the musicians.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1293.407,1295.45"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/262","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It was 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other","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1302.74,1306.37"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/265","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"than for having the single audience of Jack Winkler","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1306.37,1310.15"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/266","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from time to 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here.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1318.12,1321.133"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/271","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It'd be about 1960 or so.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1322.8,1325.773"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/272","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"A person can get a kind","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1329.344,1330.77"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/273","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of a puffed head being the poet laureate","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1330.77,1332.9"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/274","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the United 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here","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1354.71,1356.08"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/283","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for many years told me","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1356.08,1358.33"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/284","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that he was showing it to a six-year-old 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this","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1366.48,1367.47"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/289","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and he said to a little boy,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1367.47,1369.077"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/290","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"So what do you think about 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Hobbit.\"","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1372.507,1374.833"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/293","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience laughs)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=1374.833,1377.666"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/294","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And then he went on and 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conversation.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2656.45,2658.523"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/668","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It was hard to hold","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2659.57,2661.15"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/669","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"up your end of the gossip with your coffee cold.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2661.15,2664.446"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/670","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience chuckles)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2664.446,2667.1"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/671","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"But it was a special occasion just the same to sit","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2667.1,2670.39"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/672","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"at her kitchen table and sip the bitter percolation","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2670.39,2674.33"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/673","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the last week's rumors from cups","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2674.33,2677.16"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/674","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"it had taken a year to collect at the grocery","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2677.16,2680.07"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/675","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with one piece free for each five pounds of flour.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2680.07,2683.703"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/676","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Okay.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2686.27,2687.103"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/677","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now here's a poem that everyone in this room","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2687.103,2688.97"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/678","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"is gonna share.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2690.153,2690.986"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/679","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We are going to share in this experience together.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2690.986,2692.92"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/680","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We've all had this experience.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2692.92,2694.39"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/681","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I told you I wrote about ordinary things.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2694.39,2697.157"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/682","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"The Urine Specimen.\"","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2697.157,2698.9"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/683","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience laughs)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2698.9,2701.733"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/684","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I dress it up a little here,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2704.57,2705.95"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/685","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but it's pretty much the same thing.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2705.95,2707.893"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/686","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"In the clinic a sun-bleached shell of stone","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2710.98,2715.03"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/687","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"on the shore of the city.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2715.03,2716.97"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/688","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You enter the last small chamber,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2716.97,2719.72"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/689","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"a little closet chastened with Pearl.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2719.72,2722.718"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/690","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Cool, white, and glistening.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2722.718,2725.67"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/691","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And over the chilly well of the toilet,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2725.67,2728.05"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/692","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"you trickled your precious sum in a cup.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2728.05,2731.223"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/693","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's as simple as that,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2732.35,2733.903"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/694","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but the heat of this gold your body's melted","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2734.82,2738.39"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/695","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and poured out into a form begins to enthrall you.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2738.39,2742.913"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/696","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Warming your hand with your fleshes fevers","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2744.54,2747.62"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/697","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in a terrible way.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2747.62,2749.163"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/698","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"It's like holding an organ, spleen, or fatty pancreas.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2750.28,2754.36"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/699","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"A lobe from your foamy brain still steaming with worry.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2754.36,2758.633"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/700","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You know that just outside a nurse is waiting","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2759.73,2762.86"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/701","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to cool it into a gel and slice it","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2762.86,2766.11"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/702","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"onto a microscope slide for the doctor.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2766.11,2769.17"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/703","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Who in it will read your future wringing his hands.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2769.17,2774.12"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/704","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You lift the chalice","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2774.12,2776.56"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/705","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and toast the long life of your friend there","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2776.56,2780.78"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/706","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the mirror who longingly smiles","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2780.78,2783.81"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/707","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but does not drink to you.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2783.81,2785.995"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/708","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience laughs and applauds)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2785.995,2789.912"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/709","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"My father, Ted Kooser, Senior.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2798.81,2801.123"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/710","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"There are a few people here who will remember my father.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2802.52,2805.32"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/711","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Told me that...","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2806.17,2808.16"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/712","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Who grew up in Ames","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2808.16,2809.41"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/713","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and went to the Ame's public schools","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2809.41,2812.03"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/714","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that at about the time before the first world-","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=2812.03,2816.293"}]},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29990/annotation/715","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/029/990/original/AV204987_US_Poet_Laureate_a.vtt?1624896453","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/029/990/original/AV204987_US_Poet_Laureate_a.vtt?1624896453"}]},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29991","type":"AnnotationPage","label":{"en":["AV204987_US_Poet_Laureate_a.txt [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562/transcript/29991/annotation/716","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- My name's Cheryl . I'm director of the Center for Excellence in the arts and humanities. And we are the co-sponsor of this exciting game evening with Ted Kooser. I wanna thank a few groups first whom have co-sponsored this event with us. The Miller Fund, the vice provost's office, the English department, the music department, and the Ames historical society. I want to also remind you that there will be a book signing after this event back in the corner. There are books for sale. And also I want to ask you please turn your cell phones off if you have them. We are very happy tonight to have in addition to Ted Kooser reading a musical piece for your enjoyment that we're going to begin with. Christopher Hopkins an assistant professor of music at ISU has set six poems of Ted Kooser's to music. And I think we've been passing around the program. Most of you may have had that. This piece is called \"Inscape and REL Inquiries.\" And we are going to begin with this piece.\r\n\r\n- The small brown bird flies toward me over the palm ferrying the light on it's back. On its gliding wing bearing a part of the morning. A small brown part. Nearly a flake of significance really in all the world of light around it blue, yellow, and green. Yet perfectly cared for, perfectly tended one piece of a moment born skillfully over the water and I blessed to receive it. I have been watching a great blue heron fish in the cattails. Easing ahead with the stealth of a lover composing a letter. The hungry words looping and blue as they coil and uncoil. As they kiss and sting. Let's say that he holds down an everyday job in an office his blue suit blends in. Long days wind beneath the glass top of his desk each one alike with the lip of each morning a bubble trembles. No one has seen him there writing a letter to a woman he loves. His pencil is poised in the air like the beak of a bird. He would spear the whole world if he could. Toss it and swallow it live. It is only the old yellow shell of something long gone on dusty tunnel, echoing with light. That you can feel the speed along feel in your bone. You hold a glove of lace, a loose glitter of sequins. The ghost of a wind is in it still for someone only yesterday was waving it goodbye. Somewhere the long train crosses a border. The sunlight glint in 1,000 brown windows. All it knows is behind it already. Nothing it knows is ahead. Its whistle flicks into the distance. It stood somewhere in the summer under a rusty tin roof which showered sparks of afternoon over the shadows. A well charred and crumbling brick brim full of emptiness from which some farmer once had labeled bolts of flame and dipped his tools in the light. Over that oily joyless dirt he'd sprinkled molten lead that cooled in the carpet, rusty summer autumn and to fingery Oak leaves reaching through time. I stood at the top of the opposite end of 100 years. Afraid to step out onto that shadow watery earth. A tree ran it's tentative fingers over the spine of the loop. At my feet brass beads from melted wilding rods, lay scattered over the ground like a broken necklace. On the walls I could see hook, spike, and hinge, flange, tong, and hammer waiting. On a chair, tipped into a corner of bellows bound in cobwebs fought hard for a breath. It wanted to tell me. These square stone walls are of sand. Two blocks of cut sandstone, stone it's sand, like all sands always ready to go. Always showing their glittering sables. Someday with the work of the wind this will all be gone. Hollow the school. It's hollow and its changing hymn. The fallen door with its shiny black knob. Touch the walls with your fingertips and 100,000 years brush away just like that. Exposing no more than a faint stain the color of coffee. Put your palm flat on the stones. Something is happening under the surface, even in sunlight the stone feels cool if water were trickling inside flowing through darkness a silent shadowy river cleansing itself as it eases along through the sand rubbing away at our names and our voices. Dawn comes later and later now. And I who only a month ago could sit with a coffee every morning watching the light walk down the hill to the edge of the pond and place a doe there shyly drink. Then see the light step out upon the water sewing reflections from either side. A garden of trees that grew as if by magic. Now see no more of my face mirrored by darkness. Pale and odd startled by time. While I slept night in its thick winter jacket bridled the doe with a twist of wet leaves and led her away. Then brought it's black horse with harness that creaked like a cricket and turned the water garden under. I woke and at the waiting window found the curtains open to my open face. Beyond me darkness and I only wish to keep looking out must now keep looking in.\r\n\r\n- Many of you know that this is a homecoming for Ted Kooser. And because of this you may know much of what I'm getting ready to tell you. Guess what I'm going to tell you anyway. You may know that he was born in Ames, Iowa and received his bachelor's degree from Iowa State. You may know that he lived on 109 West ninth street. Many of you know that in the fall of 2004 Kooser was appointed the library of Congress's 13th poet Laureate and that his latest book of poetry \"Delights and Shadows,\" has recently won the Pulitzer Prize. Many of you also know that he lives on an acreage near the village of Garland, Nebraska with his wife Kathleen Rutledge. Finally, some of you may also know that Ted Kooser has spent much of his time on this earth as a life insurance executive. Although it's my understanding that his application was always poetry and that the life insurance executive card was simply a way to support his poetry. There's an irony in his choice of vocation as it seems to me that we can also understand the writing of poems as a kind of life insurance. Something we leave behind when we die. Something that may grow in worth and make our passing a bit easier for those we love. There are times when I wish poems, especially the kinds of poems Ted Kooser writes, where the only kind of life insurance we needed. I have known Ted Kooser for about a year. I met him at an opening at the premier. We exchanged words, addresses, and later books. He sent me a copy of his \"Delights and Shadows,\" which I liked so much that I bought copies of some of his other books of poetry. \"Winter Morning Walks,\" and \"Weather Central,\" and his wonderful prose book \"Local Wonders,\" about life in the Midwest. My students today gave a glowing report by the way of \"Local Wonders.\" They were moved and pleased. Most of them native Iowans that someone saw such beauty in the landscape they call home but sometimes take for granted. I remember remarking to a friend that reading Ted Kooser made me remember why I had become a poet to begin with and what I have always loved about poetry. The sensuality of metaphor, and the important role poetry plays in the process of growth and healing. I can hardly describe to you as someone who's read a lot of contemporary poetry, how wonderful is it is to feel at the end of reading one of Ted's poems not a headache because the poet had written a puzzle or brain teaser that it seemed I could never solve. Or one I could solve but not care a wit about having solved. But rather exhilaration because someone had genuinely attempted to communicate something important to me, a stranger. His poems are like prayers. Sacred attempts at communion with an other not acts of intellectual masturbation designed to show off how smart the poet is. I have sometimes said half jokingly to friends that I'd rather read a good recipe book than some of the poetry that's been written these days. Well with Ted Kooser's poems put me in mind to prayers they also put me in mind of tried and true recipes. You know when you start one that there will be for sure something good to eat at the end. The Chilean poet Pablo Neruda wrote that poetry should be like bread for the peasant as well as the person of letters. This was eight years ago when he wrote this. We'd probably use different language now but that is what Ted Kooser's poems are like. Bread for the spirit, the heart, and the mind. And speaking of Neruda, Kooser like him is also a poet of the physical world. I am inspired by his rootedness in place, this place in his avocations of the land and what lives on. Ted Kooser looks at everything with the eyes of a poet. A hatch of flies, snake skins, fireflies, old beer bottles, shoes, baseballs, decks of pornographic playing cards, old blue herons, old dogs, trees, abandoned school houses, barn owls, and even a mouse in a piano. His is a generous life-affirming poetry that shows us there's reason to celebrate everything that nothing is too small, too young, too old, or too wounded beyond repair to have its praises sung. Please welcome Ted Kooser.\r\n\r\n- Thank you, Cheryl. And thank you Chris and the musicians. It was wonderful. It's a terrific night for me to be here. This is my first poetry reading ever in my hometown other than for having the single audience of Jack Winkler from time to time. And it's wonderful to be back. The last time I remember being in this room Dave Brubeck was playing here. It'd be about 1960 or so. A person can get a kind of a puffed head being the poet laureate of the United States. And I wanted to tell you a little anecdote that happened. There was a lot of press at first. This was back in August when this was announced and the Los Angeles Times ran a story on one of its section fronts with a little mugshot of mine. Me in the middle and a friend of mine in Los Angeles who's been a screenwriter out here for many years told me that he was showing it to a six-year-old boy. And he said that this little boy and read the article through and he said, \"Now the poet Laureate does this. \"And the poet laureate does that,\" and got to the end of this and he said to a little boy, \"So what do you think about this?\" And the little boy said, \"I think he looks like a Hobbit.\" And then he went on and said \"Like he comes from middle earth,\" which is in fact you know where we are. But it is daunting to see this many people in the room. Federico Garcia Lorca used to say that whenever he faced a big audience he always felt as if he'd opened the wrong door. I like to begin my readings with this poem because it says something about thinking about the priorities of the readers, which I think we should be doing. Can you people way in the back hear me okay? All right. \"Selecting a Reader.\" First, I would have her be beautiful and walking carefully up on my poetry at the loneliest moment of an afternoon. Her hair is still damp at the neck from washing it. She should be wearing a rain coat. An old one, dirty from not having money enough for the cleaners. She will take out her glasses and there in the bookstore she will thumb over my poems. Then put the book back up on the shelf. She will say to herself \"For that kind of money \"I can get my raincoat clean,\" and she will. We have to remember that people have priorities. This is a little picture of the place where I live in Nebraska. We are about 20 miles North and West of Lincoln, Nebraska in an area of low rolling hills that were eroded out of the plain there. \"In Late Spring.\" One of the National Guard's F-4 jet fighters making a long approach to the Lincoln airfield comes howling in over the tree tops. Its shadow flapping along behind it like the skin of a sheep setting the Coyote's crying back in the woods and then the dogs. And then there was a sudden quiet that rings a little. The way an empty pan rings when you wipe it dry. And then it is Sunday again, a summer Sunday afternoon, and beyond my window, the Russian olives sigh foolishly into the air through the throats of their flowers. And bluegills nibble the clouds afloat on the pond. Under the windmill, a cluster of peonies huddles baldheaded now and standing in piles of old papers. Beneath its lipstick the mouth of the tulip is twisted. Spring moves on, on her run down broken toe shoes into the summer trailing green ribbons of silk. I have been reading for hours or intending to read, but over the B-song of the book, I could faintly hear my neighbor up the road a quarter mile calling out to his daughter and hear her calling back. Not in words, but in musical notes. And now that they have fallen quiet, and I have listened long into their absence, I have forgotten my place in the world. But the world knows my place and stands and holds a chair for me here on these acres near Garland, Nebraska. This April in good health, I entered my 65th year. The perfect porcelain bells of Lily of the Valley ringing into the long shy ears of the ferns and the horsefly sits in the sun and twirls his mustache and brushes the dust from his satin sleeves. I spent a lot of time at garage sales and yard sales. I'm a real devotee of used goods. I don't happen to be wearing any tonight because I'm dressed up but ordinarily... Ordinarily, I would have something on. This next group of poems a little group of snapshots of people I've seen here and there. And this first one is \"A Yard Sale.\" It also is a poem about... I don't know how many or I don't know how many tattoos we would have in the audience here tonight. Tattoos have become very popular again. Let's have a show of hands for tattoos. Well those of us my age know what a tattoo looks like after 40 years. Now this is a poem about that. \"Tattoo.\" What once was meant to be a statement a dripping dagger held in the fist of the shuttering heart is now just a bruise on a bony old shoulder. The spot where vanity once punched in hard and the ache lingered on. He looks like someone you had to reckon with strong as a stallion, fast and ornery, but on this chilly morning as he walks between the table at a yard sale with the sleeves of his tight black t-shirt rolled up to show us who he was. He is only another old man picking up broken tools and putting them back. His heart gone soft and blue with stories. Here's another snapshot. \"A Rainy Morning.\" A young woman in a wheelchair wearing a black nylon poncho spattered with rain is pushing herself through the morning. You have seen how pianists sometimes bend forward to strike the keys, then lift their hands, draw back to rest. Then lean again to strike just as the chord fades. Such is the way this woman strikes at the wheels then lifts her long white fingers letting them float then bends again to strike just as the chair slows as if into a silence. So expertly she plays the chords of this difficult music she has mastered. Her wet face beautiful in its concentration. While the wind turns the pages of rain. You remember that in the 1960s and 1970s when people had very long, straight hair when they walked they did this with their head. You remember this? And it got to be almost an anthropological certainty that people with long hair would do this. Well I began to notice a while back that all the students wearing backpacks on the campus at the University of Nebraska had their own posture. And it was a sort of like this when they were carrying the backpacks and sorta pulling ahead. And one morning I saw a student on campus with a bright green backpack all puffed up on and sort of paddling ahead like this and it was too much like a giant sea tortoise for me to resist. So here's that little... Here's that little poem. \"Student.\" The green shell of his backpack makes him lean to wave after wave of responsibility. And he swings his stiff arms and cupped hands paddling ahead. He's extended his neck to its full length and his chin hard as a beak breaks the cold surf. He's got his baseball cap on backward as he crawls out of the froth of a hangover and onto the sand of the future and lumbers heavy with hope into the library. Not a ball cap in sight in here. I have for the last 19 years I've written an annual Valentine poem and sent it to a list of friends. This is the one from 2004 and I'm including it because it again as a sort of a snapshot of a couple. What I do with these Valentines is that I usually have something that is a little bit attached to a traditional Valentine. A little spot of red or something rather than that. But in this instance it's mainly a description of two people. \"Splitting an Order.\" I like to watch an old man cutting a sandwich in half. Maybe an ordinary cold roast beef on whole wheat bread no pickles or onion keeping his shaky hands steady by placing his forearms firm on the edge of the table and using both hands. The left to hold the sandwich in place and the right to cut it surely corner to corner. Observing his progress through glasses that moments before he wiped with his napkin and then to see him lift half onto the extra plate that he asked the server to bring, and then to wait offering the plate to his wife while she slowly unrolls her napkin and places her spoon, her knife, and her fork in their proper places. Then smooths the starched white napkin over her knees and meets his eyes and holds out both old hands to him. This one also was kind of a combination of a gesture poem. I write poems sometimes about small gestures. You've all seen TV weatherman, how they stand, and they're watching the monitor over here and the map is projected and they're going like this with their hand as they're talking. And this poem comes out of that. \"Weather Central.\" Each evening at 6:15, the weatherman turns his shoulder to us, extends his hand, and talking softly as a groom cautiously smoothies and strokes the massive bappled flank of the continent. Touching the cloudy whirls that drift like galaxies across its hide tracing the loops of harness with their barbs, and bells, and pennants. Then with the horse flies touch, he brushes a mountain range and sets a shutter running just under the skin. His bearing is cavalier from years of success. And he laughs at the science yet makes no sudden moves that might startle that splendid order or loosen the physics. One would not want to wait. The enormous Appaloosa mayor of weather asleep in her stall on a peaceful moonlit night. Another one with a... I love these moments in life when something happens just for an instant but it's just filled with energy. \"Skater.\" She was all in black, but for a yellow ponytail that trailed from her cap, and bright blue gloves that she spread out wide the feathery fingers spread. As surely she stepped click clack onto the frozen top of the world. And there with a clatter of blades she began to braid a loose path that broadened into a meadow of curls. Across the ice she swooped and then turned back and halfway bent her legs and leapt into the air. The way a crane leaps, blue gloves lifting her lightly and turned the snappy hand turn there in the wind before coming down arms wide skating backward, right out of that moment. Smiling back at the woman she'd been just an instant before. \"At the Cancer Clinic.\" She is being helped toward the open door that leads to the examining rooms by two young women I take to be her sisters. Each bends to the weight of an arm and steps with the straight tough bearing of courage. Like what must seem to be a great distance, a nurse holds the door smiling and calling encouragement. How patient she is in the crisp white sails of her clothes. The sick woman appears from under her funny knit cap to watch each foot swing, scuffing forward, and take its turn under her weight. There is no restlessness, or impatience, or anger anywhere in sight. Grace fills the clean mold of this moment and all the shuffling magazines grow still. I gave a copy of that to my doctor and I was much honored. But he took it and had it enlarged, and framed, and it hangs in the nursing station at the lead cancer center in Omaha. And I thought I had finally written something that is of some use to someone. I spoke a minute ago about this little bit of energy sometimes. This poem is about that. The older people in the audience will remember these little Scotty magnets we used to play with. A little black Scottie and a white one. And if you pushed them together the wrong way they turn away from each other. It's a little bit of energy there in the middle. And that happens in this poem. \"In Passing.\" From a half block off I see you coming walking briskly along carrying parcels. Furtively glancing up into the faces of people approaching, looking for someone you know, keeping your smile in your mouth like a pebble, keeping it moist and ready. Being careful not to swallow. I know that hope so open on your face. Know how your heart would lift to see just one among us who remembered. If only someone would call out your name, would smile. So happy to see you again. You shift your heavy parcels, hunch up your shoulders, and press ahead into the moment. From a few feet away you recognize me or think you do. I see you preparing your face, getting your greeting ready. Do I know you? Both of us wondered? Swiftly we meet and pass averting our eyes. Close enough to touch but not touching. I could not let you know that I had forgotten and yet you know I write a lot of poems about ordinary things and try to make them special. There's a kind of kaleidoscope. I never can remember the name of this thing. It doesn't have the little glass chips in the end of it but it's made with just a tube with mirrors in it. And whatever you turn that thing to becomes remarkable in its image. When you look through it. And I think that the device of poetry is much like that. The poet turns the machine of the poem on something and it becomes special through this device of the poem. \"A Spiral Notebook.\" The bright wire rolls like a porpoise in and out of a calm blue sea of the cover. Or perhaps like a sleeper twisting in and out of his dreams. For it could hold a record of dreams if you wanted to buy it for that. Though it seems to be meant for more serious work with its college ruled lines. And it's cover that states in emphatic, white letters five subject notebook. It seems a part of growing old is no longer to have five subjects. Some sympathy for that here. It seems a part of growing old is no longer to have five subjects. Each demanding an equal share of attention set apart by Brown cardboard dividers. But instead to stand in a drug store and hang onto one subject a little too long. Like this notebook you weigh in your hands, passing your fingers over its surfaces as if it were some kind of wonder. I quit smoking 30 years ago or longer but I got to thinking one night about you know smoking has become so incredibly furtive and kind of criminal, you know? That everybody all you know sneaking around and doing it. And it used to be so luxuriant. And I was thinking about the fact that I got pretty good at one time at blowing smoke rings. And this little poem came out of that. \"Smoke Rings.\" Those silent exclamations, those soft Os that puffed out one after another. And then like rubber bands peeled from the end of the morning paper gave up their shape and floated slack and twisted into the future. Those were the next to the last grand gestures of the pleasures of smoking. Before each cigarette became such serious business such a bitter pill. And the grand finale that one big ring puffed out and quickly a smaller ring blown rolling through it. And then through that one, all those years. My mother's family farmed on the Turkey River at Osterdock Iowa in Clayton County. And then when the house burned down in the '30s they moved down to Guttenberg and it was a place of great importance to me. I really loved being there for a few weeks in the summer and on holidays. And so on. I've written lots of poems about that place. This is my grandmother Mosher's good dishes. \"Depression Glass.\" It seemed those Rose painted dishes she kept for special company were always cold. Brought down from the shelf in jingling stacks the plates like the panes of ice she broke from the water bucket winter mornings. The flaring cups like tulips that opened too early and got bitten by frost. They chilled the coffee no matter how quickly you drank. While a heavy everyday mug would have kept a splash hot for the better part of a conversation. It was hard to hold up your end of the gossip with your coffee cold. But it was a special occasion just the same to sit at her kitchen table and sip the bitter percolation of the last week's rumors from cups it had taken a year to collect at the grocery with one piece free for each five pounds of flour. Okay. Now here's a poem that everyone in this room is gonna share. We are going to share in this experience together. We've all had this experience. And I told you I wrote about ordinary things. \"The Urine Specimen.\" I dress it up a little here, but it's pretty much the same thing. In the clinic a sun-bleached shell of stone on the shore of the city. You enter the last small chamber, a little closet chastened with Pearl. Cool, white, and glistening. And over the chilly well of the toilet, you trickled your precious sum in a cup. It's as simple as that, but the heat of this gold your body's melted and poured out into a form begins to enthrall you. Warming your hand with your fleshes fevers in a terrible way. It's like holding an organ, spleen, or fatty pancreas. A lobe from your foamy brain still steaming with worry. You know that just outside a nurse is waiting to cool it into a gel and slice it onto a microscope slide for the doctor. Who in it will read your future wringing his hands. You lift the chalice and toast the long life of your friend there in the mirror who longingly smiles but does not drink to you. My father, Ted Kooser, Senior. There are a few people here who will remember my father. Told me that... Who grew up in Ames and went to the Ame's public schools that at about the time before the first world-","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118562#t=0.0,2820.8849"}]}]},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563","type":"Canvas","label":{"en":["Media File 2 of 2 - AV204987_US_Poet_Laureate_b.mp3"]},"duration":1703.00082,"width":640,"height":40,"thumbnail":[{"id":"https://d9jk7wjtjpu5g.cloudfront.net/collection_resource_files/thumbnails/000/118/563/small/lecture.png?1624896456","type":"Image","format":"image/png"}],"items":[{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/content/1","type":"AnnotationPage","items":[{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/content/2/annotation/1","type":"Annotation","motivation":"painting","body":{"id":"https://aviary-p-iastate.s3.wasabisys.com/collection_resource_files/resource_files/000/118/563/original/AV204987_US_Poet_Laureate_b.mp3?1624896456","type":"Audio","format":"audio/mpeg","duration":1703.00082,"width":640,"height":40},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563","metadata":[]}]}],"annotations":[{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992","type":"AnnotationPage","label":{"en":["AV204987_US_Poet_Laureate_b.vtt [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/1","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e Ted:\u003c/strong\u003e In the public schools when we were young,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=6.71,9.53"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/2","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"came from these collections.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=9.53,11.2"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/3","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I got to thinking one day how our perception","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=11.2,15.78"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/4","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"of the world must've been shaped in some way,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=15.78,17.77"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/5","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"by looking at those same pictures every day, you know,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=17.77,20.07"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/6","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the end of the trail, the Indian with the spear,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=20.07,24.24"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"there's an Indian making a pot by a fire,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=24.24,26.663"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that winter one with a Wolf looking down at the cabin","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=27.86,31.36"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the snow.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=31.36,32.193"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And so on that the Lincoln and everything,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=33.51,35.5"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I thought maybe I try to write some poems","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=35.5,37.6"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"about these things and this is just one of them.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=37.6,40.93"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/13","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This is the one of the Gilbert Stuart","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=40.93,43.31"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/14","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"portrait of Washington.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=43.31,44.357"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"The uufinished Washington\"","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=44.357,45.713"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"You know it as well as the back of your hand,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=51.23,54.11"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/17","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that phase like a blushing bouquet of pink peonies","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=54.11,57.67"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/18","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"set in the shadows of war,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=57.67,59.81"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/19","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The father of our country,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=59.81,61.75"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/20","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"patient sucking the past from his wooden teeth.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=61.75,65.504"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/21","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience chatters)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=65.504,66.9"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/22","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"His famous portrait never completed","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=66.9,70.11"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/23","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"home on the wall at the front of the classroom","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=70.11,72.98"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/24","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"next to a black octagonal clock with a ghost of a 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[Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29992/annotation/518","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/029/992/original/AV204987_US_Poet_Laureate_b.vtt?1624896457","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/029/992/original/AV204987_US_Poet_Laureate_b.vtt?1624896457"}]},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29993","type":"AnnotationPage","label":{"en":["AV204987_US_Poet_Laureate_b.txt [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563/transcript/29993/annotation/519","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- [Ted] In the public schools when we were young, came from these collections. And I got to thinking one day how our perception of the world must've been shaped in some way, by looking at those same pictures every day, you know, the end of the trail, the Indian with the spear, there's an Indian making a pot by a fire, that winter one with a Wolf looking down at the cabin in the snow. And so on that the Lincoln and everything, I thought maybe I try to write some poems about these things and this is just one of them. This is the one of the Gilbert Stuart portrait of Washington. \"The uufinished Washington\" You know it as well as the back of your hand, that phase like a blushing bouquet of pink peonies set in the shadows of war, The father of our country, patient sucking the past from his wooden teeth. His famous portrait never completed home on the wall at the front of the classroom next to a black octagonal clock with a ghost of a teacher trapped inside tapping out time with a piece of chalk. It was easier to see his attention was elsewhere. He left a dozen campfires burning out there at the front of his face then recruited behind them. At 58, he was old and broken. This was no way to use up the days of a soldier, celebrity He had little time for the likes of Gilbert Stuart that son of a snuff grinding Tori, that slackard who'd set up the war with the English. Perched on a chair and a cold stone barn. According to Stuart he smiled only once when a stallion ran past. He cared more for thoroughbred horses and farming than he did for the presidency. On the war between us and the future. At the point where all the lions converged George Washington, like any other man suppressed the deep sigh. So heavy was live. How futile it seemed to protest. We learned our lessons while the big clock clacked. It's Roman numerals arranged in the reef and sealed under glance. Those were lovely Calico Autumns. Then winter passed with its long clean pennants of light. Then spring with its Chaffey rustle. We thought those Isles were parallel, that our days would never arrive at the vanishing point. Before us always, he who could never tell a lie, kept his jaws closed on the truth. Those aisles in that thing, remind me-- when I was a little boy here and going to Beardshear school, we had a thing that we children did when we wanted to honor our teacher. We gave the teacher what we call a fruit roll and what it was, was it at some given moment we signaled to one another and we rolled up grapefruits and oranges and apples and stuff to the front of the room to surprise the teacher. And a few years ago I got very interested in this thinking. Well you know, I wonder if this happened anywhere else. And so I got on one of the international folk life websites and information. And as it turned out, I took took months and months before I got anything as it turned out I had a letter from a woman in Ohio who said that they had done that in her school in Ohio. Of course, a lot of the people that settled in came by way of Ohio. I sort of wonder if this Custom had ever come. Is anybody else in this room ever even heard of this activity? Great. Okay. One of the real pleasures of going around doing readings and things like this is meeting people. I did a reading in Philadelphia at a little college there. And after the reading, I was invited to dinner at this couple's house. And he was in the English department. And she was the step granddaughter of John Cornos. John Cornos was one of the images poets but who's almost forgotten today, but Cornos knew everybody in the movement. And after dinner, we were sitting in the living room, she said, I wanna show you something. And she brought out a big cardboard box and it was heat to the top with letters from T.S Eliot and William Butler Yeats and calling cards from Ezra Pound and all these people in the movement. And I was dumbfounded to be looking at these holding these original objects and so on. And then she said, and you're interested in painting are you? And I said, yeah, I love to paint. And I like looking at paintings. She said, well I'm sure you're busy. She brings out this flat wooden box and puts it on my knees. And here's the poem that came out of that. \"A box of pastels\" I once held on my knees, a simple wooden box. In which a rainbow lay dusty and broken. It was a set of pastels that had years before belonged to the painter Mary Cassatt. And of the colors she used in her work lay open before me those Hughes she'd most used, the peaches and pinks were worn down to stoves. All the cool colors, violet ultramarine had been set scarcely touched to one side. She'd had little patience with darkness and her heart held only a measure of shadow. I touched the warm dust of those colors, her tools and left there with light on the tips of my fingers. I was talking to some students this afternoon about structured poems. They are poems that you don't need any kind of metaphorical elaboration or decoration to. And then there are poems that are all at. This is a poem that springs out of a single metaphor. I was thinking one morning early that a telescope could be seen to be a pipe through which the light of the universe is draining. And I built the building under this poem. \"Telescope\" This is the pipe that pierces the dam that holds back the universe that takes off some of the pressure, keeping the weight of the unknown from breaking through and washing us all down the Valley. Because of this small tube, through which a cold light rushes rom the bottom of time, the depth of the stars stays always constant, and we are able to sleep at least for now beneath the straining wall of darkness. That's one kind of poem. That's the metaphorical poem where you take a metaphor puff it up, tell the scenes about regular break and then hold it there. This is the other kind of poem. This is the poem where you've had an experience and you can deliver it pretty much straight ahead because it doesn't need anything other than the story itself. \"A deck of pornographic playing cards\" We were 10 or 11 my friend and I, when we found them up under a bridge on top of a beam where pigeons were resting, someone had carefully hidden them there. On each was a black and white photo. No two cards alike. We grew quiet and older, young men on our Haunches, staring at what we feared might be the future. The pigeons flap back to their risks rustling and cooing, the river gurgled as it slipped from the bridges cool shadow. There were women with big muzzle dogs, women with bottles and broom handles, stallion stood over the bodies of others. The women smiled and lick their lips with tongues like farms. We grew old. We were too old man with stiff legs and sad hearts. We had wanted to laugh, but we couldn't. We had thought we were boys, Come there to throw stones at the pigeons but we were already dying inside. I have a very good friend in Nebraska. Keith Jacobshagen is noted landscape painter. And this is a family story that Keith told me. The old man in the story is his grandfather. And the young woman who has died is his aunt. It's a poem very much like or it's a story very much like Willa Cather's story. And of course, Willa Cather's are shining their light out there in Nebraska, \"The beaded purse\" Dressed in his church suit and under the shadow of his half the old man stood on the wooden Depot platform three feet above the rest of Kansas while the westbound freight chuffed in and hissed to a stop. He and the agent and two men commercial travelers waiting to go on West pulled mailbags out of the steam, then slid out his daughter's coffin, canvas over wood and set it on a nearby baggage card. Not till the train had rolled away and tooted once as it passed the shacks on the leading edge of the distance and not till the agent had disappeared, dragging the bags of mail behind, did the old man pry up the nail down lid with a bar he brought him a wagon. Had in hand he took a long look. He hadn't seen her in a dozen years. At 19, without his blessing. She'd gone back East to be an actress. Now and then writing her mother in a care free ne'er do well cursive to say she was happy living in style. A week before the agent sent word that there was a telegram waiting. And the old man and his wife rode to the town, to read that their daughter had died and her remains were on the way home. Remains. That's how they put it. She was wearing a fancy yellow dress but was no longer young and pretty. She looked like one of the worn out doll she'd left in her room at the farm. Where he would sometimes go to sit. A bag of women's private under things had been stuffed between her feet. And someone had pushed down next to her an evening bag beaded with pearls. He opened the purse and found it empty. So he took a few bills out of his pocket and folded them in, then snapped it closed for her mother to find. Then with the back of the bar, he tapped the lid in place and went to find the station agent. The two of them lifted the coffin down and carried it a few hard yards across the sunny dusty floor of Kansas and loaded it onto the creaking wagon. Then clapping his hat on his head and slapping the plump romp of his mayor with the wrens. He started the long haul home with his rich and famous daughter. As I said, mother grew up in Clayton County in Iowa and we go up there a lot. I got to-- I love the cousins and this is one of my mother's last first cousins. I went to see him in the nursing home at Guttenberg and he had one of those very very dark pronounced dark age spots on his hand that went up inside his sleeve. And that becomes a part of the poem. It's also a poem in which I wanted to include his name because it's a beautiful name. \"A goodbye handshake\" Though you and the nursing home are miles behind me now, your hand with this dark blue age spots is here in my hand. Your fingers warm from all of the hot steel handles they held in your 88 years. Levers of threshing machines have sickle bar mowers and balers, but cooling now and slowly going all blue black over Brown, like a pool of blue oil on the floor of a barn. That darkness working its way up into the cuff of your new plaid shirt. Up past your elbow, sharp as a plowshare there on the wheelchair armrest, easing over your heart like a shadow. A hundred miles down the road, stopped by the highway and sitting in shade at the edge of a shimmering corn field. I say goodbye. I am headed both further and further than you. I will . With love I take your blue black hand, which is squeezed nearly everything wants and has held it shyly and politely. This one was written right at about this time. My birthday is Monday and I refer to this. My mother died in 1988 and about a month later, I wrote this poem. \"Mother\" Mid April already, and the wild plums bloom at the roadside a Lacey quite against the exuberant jubilant green of new grass and the dusky fading black of burnt out ditches, No leaves, not yet. only the delicate star-petaled blossoms. Sweet with their timeless perfume. You have been gone a month today and have missed three rains in one night long watch for tornadoes. I sat in the cellar from six to eight 12 fat spring clouds went somersaulting rumbling east. Then it poured a storm that walked on legs of lightning dragging its shaky belly over the fields. The meadowlarks are back and the finches are turning from green to gold. Those same two geese have come to the pond again this year honking in over the trees and splashing down. They never nest, but stay a week or two, then leave. The peonies are up. The red sprouts burning in circles like birthday candles. For this is the month of my birth. As you know, the best month to be born in thanks to you. Everything ready to burst with living. There will be no new--- Excuse me. There will be no more new flannel nightshirts sewn on your old black singer. No birthday card addressed in a shaky but businesslike hand. You asked me if I would be sad when it happened and I am sad, but the Iris I moved from your house now hold and the dusty dry fists of their roots green knives and forks as is waiting for dinner, as if spring were a feast. I thank you for that. Were it not for the way you taught me to look at the world to see the life at play in everything. I would have to be lonely forever. And this is this-- I wrote this poem the following day after mother died. She had one cousin left, Pearl Richards in Elkader, and mother died in Cedar Rapids. And I got up really early in the morning and drove to tell Pearl the news. \"Pearl\" Elkader, Iowa a morning in March, the Turkey river running brown and wrinkly from a late spring snow in Minnesota. A white two-story house on Mulberry street, windows flashing with sun. And I had come a hundred miles to tell our cousin Pearl that her childhood playmate Vera, My mother had died. I knocked and knocked at the door with this lace covered over a glass and at last, she came from the shadows and with one finger hooked the curtain the aside peered into my face through her spectacles and held that pose. A greeny family photograph. It could have been that of her mother. I called out Pearl it's Ted, it's Vera's boy. And my voice broke for it came to me nearly 60. I was still my mother's boy. That boy for the rest of my life. Pearl at 90 was one year older than mother and a widow for 20 years. She wore a pale blue cardigan button over a house dress. And she shook my hand and the tentative way of old women who rarely have hands to shake. When I told her that mother was gone, she died the evening before, she said she was sorry that Vera wrote me a letter a while ago to say she was good. We went to the kitchen and I sat at the table while she heated a pan of water and made us cups of instant coffee. She told me of a time when the two of them were girls and crawled out onto the porch roof, despite my aunt Mabel and a suitor who were swinging below. we got so excited we had to pee. And we couldn't wait and peed right there on the roof. And it trickled down over the edge and dripped in the bushes. But Mable and that fellow never heard. We took our cups into her living room or stripes from the drawn blinds draped over the world's fair satin pillows. She took the couch and I took a chair across from her. I've had some trouble with health myself, she said. Taking off her glasses and wiping them. And I said, she looked good though. And she said, I've started seeing people who aren't here, I know they're not real, but I see them the same. They come in the house and sit around and never say a word. They keep their heads down or cover their faces with claws. I'm not afraid, but I don't know what they want of me. You won't be able to see, but one's right there on the staircase where the light falls through that window. A man in a light gray outfit. I turned to look at the landing where a patch of light fell over the carpet at the steps. Sometimes I think that my max is with them. One seems to know his way around the house. What bothers me Ted is that they've started to write out lists of everything I own. They go from room to room, three or four at a time picking up things and putting them back. I've talked to Wilson, the chiropractor. And he just says that maybe it's time for me to go to the nursing home. I asked her what her regular doctor said, and she said she didn't go there anymore. That he's not much good But surely there's medicine I said. And she said, maybe so. And then there was a pause that filled the room. After a while, we began to talk again of other things. And there were some stories we laughed a little over and I wept a little. And then it was time for me to go. To drive the long miles back. And she slowly walked me to the door and took my hand again. Our warm, bony hands along the light hands of the shadows that reached to touches, but drew back. And I cleared my throat and said, I hope she take care of herself and think about seeing a real medical doctor. And she said, she'd give some thought to that. And I took my hand from hers and waved her bye and the door closed. And behind the lace, the others stepped out of the stripes of light and resumed their inventory. Touching the spoon I used, and subtracting it from the sum of the spoons in the kitchen drawer. How many people in here have had an experience with older people Who've begun to see fandoms? it's apparent is quite common. And of course, in this instance, they come to get her ready to go and get everything in . My dad Ted Kooser Senior was the first manager, was the manager of very first branch store the Johnson Brothers ever open down here on main street. The building is still there. I worked in it Christmas time. My sister did, I made bows and the gift wrap section and so on, but this is a picture of my dad how it was in those years when we were young. \"Father\" you spent 55 years walking the hard floors of the retail business. First as a boy playing story in your grandmother's barn sewing feathers on hats of the neighbors throughout. Then stepping out onto the smooth pine planks of your uncle's grocery Salada tea and gold leaf over the door, your uncle and father still a young man in handlebar, mustaches white aprons with dusters tucked into their sashes. Then to the varnished oak of a dry goods store. Music to your ears, that bumpity bump of bolts of bright cloth on the countertops the small rattle of buttons, the bell and the register. Then onto the cold tile of a bigger store. Then one still bigger, gray carpet wide aisles a new town to get used to. Then into retirement, a few sales in their own garage, the concrete under your feet. You had good legs dad and a good store keeper's eye. I asked once if you remembered a teacher of mine, you said, I certainly do, size 10, a little something in blue. That was Pearl Hogrefe by the way. How you loved what you've done with your life. Now you're gone and the clerks are Lacy, The glass cases smudge, the sales sweaters hold off on the floor. But what good times we had before it was over. After those stores had closed, you posing as customers, strutting in big flowered hats. Those aisles like a stage, the pale mannequins watching. We laughed till we cried. I'm gonna close with this one, which is the self portrait I wrote a couple of years ago. The little towns that are mentioned here they are Rising City and Stable Hurst. They are all within easy driving distance of my house. \"That was I\" I was that older man. You saw sitting in a confetti of yellow light and falling leaves on a bench at the empty horseshoe courts in Fair in ~Nebraska. Brown jacket, soft cap, wiping my glasses. I had noticed of course that the rows of sunken horseshoe pits were like old graves. but I was not letting my mind go there. Instead I was looking with hope to a great vine grape over a fence and in neighboring yard. And knowing that I could hold on. Yes, that was I. And that was I the round shouldered man you saw that afternoon and Rising City as you drove past the abandoned mini golf. Fists deep in my pockets, nose dripping. My cap pulled down against the wind. As I walked the miniature main street appearing into the child's size plywood store, the poor rich school, the faded barn, thinking that not even in such an abbreviated world with no more than its little events, the snap over grasshoppers wing against a paper cup, could a person control this life? Yes, that was I. And that was I you spotted that evening just before dark and the weedy cemetery West of Staple Hurst down on one knee as if trying to make out the name on a stone some lonely old man you thought come there to pity himself in the reliable sadness of grass among graves, but that was not so. Instead I have found in its perfect web, a handsome black and yellow spider pumping its legs to try to shake my footing as if I were a gift and enormous moth that it could snare and eat. Yes that was I. thank you.\r\n\r\n- [Woman] Please stay around Ted Kooser will be happy to sign books. We're gonna have a book signing in the reception in the back and I wanted to thank the committee and lectures who also has sponsored this event. Thank you for coming","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/45564/file/118563#t=0.0,1703.00082"}]}]}]}