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blowing","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=16.959,20.27"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/7","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in the glass studio,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=20.27,21.55"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/8","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the Engineering Research Institute on campus.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=21.55,25.21"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/9","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And at noon in the Pioneer Room of the Moral Union,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=25.21,28.98"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/10","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"there'll be several short films and names are merged.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=28.98,32.677"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/11","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"USR,\" \"The Gift to Ourselves,\" \"Matrix Three,\"","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=32.677,36.173"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/12","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"A Lady of The 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pm","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=43.24,44.9"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/15","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in The Gallery of Memorial Humuture,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=44.9,47.23"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/16","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Charles Christopher Mark will speak 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teaser.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=180.99,183.83"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/55","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So I'm not going to explain them.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=183.83,185.48"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/56","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I just said that the title 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sun","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=206.26,207.95"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/63","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which originates somewhere out there, the life on earth.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=207.95,212.95"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/64","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And then we have the life 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tapping,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=461.69,465.323"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/123","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the collection and the use of the solar energy","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=466.924,469.25"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/124","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and the building could function as a dwelling","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=469.25,471.92"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/125","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or as an office building","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=471.92,473.92"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/126","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"as a combination of many 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it","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=480.56,483.49"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/129","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with life and other activities connected with life.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=483.49,486.983"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/130","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I was trying to make 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on.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=495.39,499.113"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/133","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I then drifted away from this activity","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=501.16,503.39"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/134","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"because there was absolutely zero 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ideas.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=508.81,512.01"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/137","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"An idea, eventually development.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=512.01,513.61"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/138","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This wasn't how the presentation was organized.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=516.98,520.12"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/139","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now it's changed slightly","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=520.12,522.35"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/140","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but it began that we a methodology","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=522.35,524.38"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/141","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which was connected with energies of different kinds","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=524.38,528.07"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/142","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in organic energy.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=528.07,529.63"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/143","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And from which I was pulling out the greenhouse effect,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=529.63,532.76"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/144","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"the chimney effect, the app's effect","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=532.76,534.28"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/145","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which I will explain from the organic energy,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=534.28,537.08"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/146","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I had the the culture of the fruit 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it.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=542.71,545.613"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/149","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"That I call now the urban effect.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=547.69,550.36"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/150","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I would try to explain why?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=550.36,551.993"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/151","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"After going through the methodology,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=553.36,555.06"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/152","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"I would apply the 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book","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=561.03,562.87"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/155","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"then there was a presentation","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=562.87,564.88"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/156","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in empirical process,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=564.88,565.89"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/157","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"we are developing an Arcosanti in Arizona,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=565.89,568.683"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/158","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with slides about the construction costs and so on.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=569.74,573.67"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/159","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And then the second series of arcology,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=573.67,575.76"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/160","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"which came about when I came with the sun again,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=575.76,579.09"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/161","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"within the context of the city.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=579.09,580.64"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/162","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And this is the gist of the presentation,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=581.83,584.275"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/163","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\"Tucson's Arcology.\"","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=584.275,585.88"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/164","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now I rearranged the 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effects,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=601.25,603.96"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/171","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and then I move into the \"Tucson's Arcology.\"","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=603.96,606.327"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/172","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This is the site that we bought about 10 years ago","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=609.65,612.54"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/173","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"in Central Arizona.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=612.54,613.87"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/174","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Phoenix is about 70 miles 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geologists","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=2194.65,2198.48"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/591","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but you have God Nirvana, truce of logos, which exists,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=2198.48,2202.68"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/592","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"but it's not still as yet revealed.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=2202.68,2205.293"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/593","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Instead of revelation, you have creation.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=2207.06,2210.23"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/594","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The purpose of existence is to create the 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crescent","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3564.017,3565.767"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/981","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with 15 units developed around the theater.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3567.123,3571.303"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/982","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So we are attempting even in a very small scale","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3573.23,3575.83"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/983","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with few hundreds of people involved","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3575.83,3578.34"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/984","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to focus the activities, look the mitigate technology","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3578.34,3582.87"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/985","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"or production and marketing, but also culture.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3582.87,3587.11"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/986","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So the theater would be","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3587.11,3588.25"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/987","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for a children's playground","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3588.25,3591.5"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/988","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for nursing school and so on.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3591.5,3594.43"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/989","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Would be also for the meetings and the community marketing","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3594.43,3597.97"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/990","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"maybe once a week or once a month to open market","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3597.97,3601.29"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/991","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and then conferences, concerts and so on.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3601.29,3604.543"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/992","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Those are the vaults which have been built.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3609.72,3612.301"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/993","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"This has been built in the residents for the office.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3612.301,3614.61"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/994","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"That's been built the lab building.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3614.61,3616.75"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/995","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So now we are, yesterday we were excavating in this area.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3616.75,3621.24"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/996","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And today, tomorrow and Monday, we had an escalating","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3621.24,3624.2"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/997","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with a bulldozer and that's what we need.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3625.64,3628.573"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/998","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"We need more money.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3634.57,3635.52"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/999","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"So we are trying to raise money in many ways.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3636.72,3639.273"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1000","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Can I ask a question?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3640.922,3641.755"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1001","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Yeah.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3641.755,3642.588"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1002","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e What about wildlife in the future?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3642.588,3645.062"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1003","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e Can you ask it again?","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3645.062,3646.979"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1004","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"\u003cstrong\u003e -:\u003c/strong\u003e This was some kind of resume of a situation","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3651.47,3655.413"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1005","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"that is somehow existent in a megawatt, a flat city.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3655.413,3659.96"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1006","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And this is a condition that possibly could develop","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3659.96,3663.07"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1007","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"for another situation.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3663.07,3664.65"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1008","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"The arcology situation, bigness, smallness,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3664.65,3667.73"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1009","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"X rotation, fitness segregation, integration,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3667.73,3670.5"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1010","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"matter in mind, our total destruction,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3670.5,3673.42"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1011","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"consideration, pollution and pollution","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3673.42,3676.34"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1012","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and centerpiece density in short Eden fragmented structured,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3676.34,3681.34"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1013","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"exclusively, interiorized, complicated, complex","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3683.26,3686.374"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1014","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"bureaucratic performing open and frugal,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3686.374,3689.72"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1015","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"really cultural congress and conference.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3689.72,3692.163"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1016","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now, as I was saying, we are trying to get people","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3697.23,3699.64"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1017","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to come and help,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3699.64,3701.233"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1018","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"and we have 10 workshops going on","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3704.26,3709.26"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1019","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"from January until November.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3710.21,3712.73"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1020","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And this year, we're mainly building the crescent","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3712.73,3715.0"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1021","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"with finishing the swim pool and we're going","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3715.0,3717.68"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1022","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"to do a landscaping and so on.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3717.68,3719.833"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1023","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"And I asked some sketches and some posters available.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3723.96,3728.037"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1024","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"Now, if you'd like to ask some questions,","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3731.7,3734.62"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1025","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"when we put the lights on.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3734.62,3735.92"},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1026","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"(audience mumbling)","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=3738.881,3741.881"}]},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134","type":"AnnotationPage","label":{"en":["English [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29134/annotation/1027","type":"Annotation","motivation":"subtitling","body":{"type":"TextualBody","value":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/029/134/original/AV168000_Art_in_Public_Places_Environmental_Art_a.vtt?1623261198","format":"text/vtt","language":"en"},"target":"https://d9jk7wjtjpu5g.cloudfront.net/file_transcripts/associated_files/000/029/134/original/AV168000_Art_in_Public_Places_Environmental_Art_a.vtt?1623261198"}]},{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29135","type":"AnnotationPage","label":{"en":["AV168000_Art_in_Public_Places_Environmental_Art_a.txt [Transcript]"]},"items":[{"id":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918/transcript/29135/annotation/1028","type":"Annotation","motivation":"transcribing","body":{"type":"TextualBody","value":"- I have a little bit of technical difficulties we'll get underway right now. Before I introduce tonight's speaker, I'd like to call your attention to tomorrow's activities. From 10:00 am to 4:00 pm, Archy Handler will demonstrate glass blowing in the glass studio, the Engineering Research Institute on campus. And at noon in the Pioneer Room of the Moral Union, there'll be several short films and names are merged. \"USR,\" \"The Gift to Ourselves,\" \"Matrix Three,\" \"A Lady of The Sphere\" and \"The Further Adventures of Uncle Sam.\" Tomorrow night at 8:00 pm in The Gallery of Memorial Humuture, Charles Christopher Mark will speak on the subject of \"Art in Politics.\" And now it is my great pleasure to introduce to you tonight's guest speaker. He was born in Italy, and came to United States in 1947. For reverse tender, Franklin vied for a brief time. And Mr. Soleri is well-known for he's architectural concepts. And his works and he's the founder of the Cosanti Foundation, a working and teaching compound outside of Scottsdale Arizona. He is also a sculptor and designer and the author of several books, \"Amanda\", \"Arcology,\" \"The City in the Image of man\" and \"The Maze to the City Sketch Book.\" Currently when he's not on this lecture tour, he's working on his latest project, \"The Art of Stamping\" project. And here he is, Paolo Soleri.\r\n\r\n- My photo got a problem. Can you hear that? I mumble most of the time. So you have to tell me if you can't understand, okay? Can we have the lights off?\r\n\r\n- Louder please.\r\n\r\n- The subject who has a presentation is the City in the Sun. And it will appear towards the end of the program. Before I get there, I'm going to go towards a certain number of steps in order to explain what I mean. And before I do that, I have a certain number of slides which are just a visual introduction, some kind of a teaser. So I'm not going to explain them. I just said that the title is \"The Tucson's of Arcology,\" which means arcology to reconnect architecture with arcology. And Tucson's to remind ourselves that we have two resources, basically on dessert. One is the sun which originates somewhere out there, the life on earth. And then we have the life itself which is the physical, the physiological, the mental and the spiritual. So that's the other son, the second results. The interest in the city began in the fifties. And this indication of development according to the automobile of a certain pattern of circulation. So it's basically a logistical network, very abstract. This is a more developed notion about a community of about two millions population imagined in the climate of Arizona or Mexico or New Mexico on Mesa, a flat area, like a flat top where only area about the size of Manhattan like developed, and so it's an habitat. And a that point, I was beginning to be interested quite well on arcological problems. And as an example, I make DCE of designing a park in the middle of the community which is the result of transforming a quarry into a garden. So you quoted a material for the construction of the city aggregate basically, and by doing that, you change the geology, but instead of hitting a skull, you made this geology, this new geology into a manmade garden. So that was the closing of a certain cycle, where the coming in of the actual man, not in a certain condition, natural condition would see as an end-result something very lively for the community. Connecting this garden would be connecting a learning center with a theological center, other features where a processing plant, where you would have the sewage and garbage collected. And then treated, so that you could get raw materials for industries or for farming purposes and also water. There were villages organized around the civic centers. Each village was about 2,000 or 2,000 people with an inner garden and outer space, open space. And those villages were depending on two networks, one of industrial and a so-called standup production and marketing. And another one where you would have a small industries like home industries. This was still a very three dimensional development. There were some structure which are very three-dimensional. Basically was a flat grid attempting to serve a large community. Eventually I abandoned this approach for the arcological approach, which is a three-dimensional position. And I will get into that later. In the fifties, I was also interested in the solar energy and I was catching notions. Where in one building, you would organize the tapping, the collection and the use of the solar energy and the building could function as a dwelling or as an office building as a combination of many activities. So an attempt to integrate the incoming energy, the use of it, the storing of it with life and other activities connected with life. And I was trying to make use of the infra red radiations of winds, water, tides and so on. I then drifted away from this activity because there was absolutely zero interest at that time on solar energy. But I kept some of the ideas. An idea, eventually development. This wasn't how the presentation was organized. Now it's changed slightly but it began that we a methodology which was connected with energies of different kinds in organic energy. And from which I was pulling out the greenhouse effect, the chimney effect, the app's effect which I will explain from the organic energy, I had the the culture of the fruit stuff on the greenhouse conditions, in the mental energy. I had the human to social and cultural aspects of it. That I call now the urban effect. And I would try to explain why? After going through the methodology, I would apply the methodology. And the first application where the first series of arcology that I'll publish in an MIT book then there was a presentation in empirical process, we are developing an Arcosanti in Arizona, with slides about the construction costs and so on. And then the second series of arcology, which came about when I came with the sun again, within the context of the city. And this is the gist of the presentation, \"Tucson's Arcology.\" Now I rearranged the schedule so that I begin with Arcosanti, the empirical process. The prototype that we are building in Arizona. Then I move into the theoretical models of the first arcologies, then I'll try to explain the effects, and then I move into the \"Tucson's Arcology.\" This is the site that we bought about 10 years ago in Central Arizona. Phoenix is about 70 miles South. We set up a camp about eight, nine years ago and then in the last eight years we have been building on this ledge. So this is the same ledger looking from the South, looking North. And this is a slope which is going to be eventually covered by the greenhouse, which is going to feed energy and food to the main building, which is going to be built those structures. This is our land. We use only took less than 2% of the land for the habitat. So that we are encroaching very minimal way on the environment. Now, the cost is very very slow because the means are very skimpy, almost nil. So what we do, we have workshops for people mostly students from colleges and universities. They come for five or six weeks and they pay a fee so that we can buy materials, energy, equipment, know-how and so on. We match that kind of help with Cinder, we produce the foundation. The Cosanti Foundation. Just by the way is a meeting before breakfast in the summer. And what we produce is mainly bronze pieces like this which is composed of many bells, wind bells, ceramics bells. We have loyalties from books, we have some commissions and then my lecturing tours. And those are basically the resources that we employ to build. Those are done species. And recently I started making sketches, which had also in the market now. This is setting up the camp, about nine years ago, units for eight and a half weight and a half cubicles. This was the only model which has been abandoned in order to introduce the sun in a much more. Enfactly, this is a big organic garden. About three years ago at the camp. This is a kind of rocky formation on which we are building, and this was the original design shown at the same scale about, of the buildings. In the buildings are indicated in blue there. So about three years ago, we had done much which is not very much. And, about three years ago, again, I also I transformed this design very drastically. And you'll see the model at the end of the presentation. In this early model, I had the apses, which were one of the resources to make use of the solar energy as I will explain to you a little latter. This is a view from the West, from the highway, about three years ago of the only model we began to build some of the substructures like this Walt to residences and other buildings on the load area. This wall, is that wall there. The foundation for this first structure the use of techniques that we developed at the foundation, which is in New Phoenix. The use of the soil or silt from the riverbed in this case, shape units, modules, and then use Carlos, Simeon Carlos and patterns sort of when you pour the wet concrete. The concrete absorbs and incorporates patterns and colors. Those are the three panels or the vault. Again, the same panels. And that's the panels assembled. So you see the negative there and you see the positive the structural positive there. That's one of the panels. We use a similar technique when we construct modules over the structures we use the silt as a bond breaker between the slab and the pouring. This is the second vault we built about three years ago. And this is the what's now the ceramics workspace. And as a shape of a naps, like an acoustic shell open to the South. So that when the sun, when the winter sun, is traveling on the horizon, it penetrates very deeply in the building, but in the summer, the sun is very high on the horizon. So, the shed itself shades the space. So it's a kind of passive sun machine that you develop in that manner. And this is the preparation for the casting of the shell using silt again. That's the use of the silt for forming over residence. This is the ceramic apps in my construction phase. This is the foundry in the construction phase where we do foundry work at this level we do a sandwich and a finishing at this level. Again, we have residential spaces on the third level. That's the ceramics and that's the foundry. Now, this is a rough set which is going to be worked into that manner. Then the reinforcing is put on and then the pouring is going to be done. So again, you'll see a negative here and you'll see the positive later. There's the residences with two studios on two levels surrounding the foundry. So that's the form. The negative in silt and that's the shell positive structural memory. So this is the foundry with the residences and the studios. That's a ceramics, it's one residents with vaults. And then there is another building a four story building there. That's a foundry. And the first story building has some private rooms at this level, with the services and an outside as a restaurant on two levels with the kitchen and services in the low side. And then an exhibition space at the top level. foundry, the two boards, two residents with offices, and then the ceramics in here. This is the landscaping between the buildings inside of the restaurant. We use precasting sandwich and casting place techniques. All this is done by young people guided by young people that have been with me for a number of years. So practically there is no professional work. This is a small lab that we are building in the north side of the two vaults. That's a ceramics. Now we find out very soon that the buildings were responding very well to the environment. So we began to have sounds and light shores at night originating from the buildings. And then you could watch from the other side of the valley. Watch and listen. So eventually we developed a festival, we had a festival in October. This year has been the third year and we had about 10,000 people in two days. We set up a stage the last two years at the bottom of this and then we are developing an infidel there which is going to be taking maybe 6,000 people. Then we have the large national theater which can take up to 50 or 60,000 people. The things that are going on in each building you might have a demonstration in crafts there, you might have a flute playing there or a piano. You might have dancers in the vaults. For two days, we carry on with a number of activities. This year, last October we had the festival collection with a conference based on health, self reliance and healing. So we had a number of meetings, both days. The lower stage, the upper stage and the sources of sounds and light shows during the night. Those are some shots in the nighttime. This is Louis Falco from New York, the group. We began with we'd having the welder working there and the grinders working in the foundry, then we developed light activities throughout the buildings with shadow plays and so on. And down in the valley, we had the main stage, we had smaller stage along the cliffs going up to the upper to the horizon there. This was a meeting during the festival. We had a few done. We had a meeting with some of the Indian tribal people. Now, this is the swimming pool which is almost completed now. And it's in such a position as to take the heat from the greenhouse, which is developed on the lowest area on the slope, the hot air penetrates under the swimming pool to a bedrock and vents along this side of the swimming pool. The cliff is also a heat sink and accumulates energy during the day. So later in the afternoon it's warm and radiates warmth in this area. So this is a swimming pool which is it's going to be energized by the sun. That's the camp. This is where we are going to eventually cultivate. We might have a pond here, we have a dike which is broken now. Now, I'm going to go through very quickly, the first generational ecologies, which are stated in the MIT book and not specifically involved with the sun as much as they do not capture large amount of sun energy but they are in the sense of because they are frugal systems included miniaturized systems. So they require much less energy than the usual two dimensional development of the urban landscape. This project here, floating urban development where you have a production centers harvesting the sea plus the select urban ravens enveloping them. Still the idea of a floating landscape. The dam we've taken as a device within which you build a community or a specific activity like health, recreation and so on. So you can take the idea of a dam and by decision and by design we transform it into a carved out structure where you can insert the life of a community. With a dam comes water for all purposes from recreation to farming, to energy to domestic purposes. If the dam is large, it could be a large community, if the dam is small it could be just a research center or recreational or museum centre. Some of the models of the distressed citizen of arcologies. About 17,300, 30,000, 150, 200,000. And a lot of times half a million. They're very schematic, very symbols, more than blueprints, but they relate to the notion that if we can implement the urban system and move from the very big to the very small, we can do many, many things, from saving, resourcing resources, energy, land, water and so on to desegregation of society which means integration of activities and people and possibly to a more intense urban life. This is the empire state building compared to the same scale showing that you're dealing with a large building with a small city. So the idea is to move from the big into the small. In this case, the idea was for a hot climate where the towers becomes an umbrella for this platform. This could be farming community where the inside shows the public commercial places basically. This was one example of a community of about 1 million population within an area of less than one square mile or one and a half square miles I remember. By doing that, you become a pedestrian again you know, once you encounter people again, instead of driving in this cage that drives you around. So you move around or you can bicycle, you can take elevators and escalators nowadays but basically you're a pedestrian moving towards the landscape. You can connect with everything which is in the town very quickly and that can be the third generation part of the family, can be the clinic, the school, the marketplace and so on. You can also move very quickly outside of the appetite open countryside. Since there are no automobiles, building the roads, you'll only streets and walk place, malls and so on. You implode all the systems, of the service, service systems. And by imploding those you also implode the bureaucratic machines. So you have a less remoteness, less alienation possibly within the context of the secret that you can identify with. If you introduce the sun as an immediate resource then you introduce another element of democracy. The sun is the most democratic energy available.\r\n\r\n- Can you hear at the back?\r\n\r\n- Yeah.\r\n\r\n- Thank you.\r\n\r\n- This is a very sketchy idea of a lineal city, where you have a main logistical system in the center. Reaching section will be indicated there and plug me into this logistical system, you would have communities of different sizes, very small, very large and intermediate sizes by doing that and by maintaining a reasonable dimension transversely, you could have the advantage of the immediate connection with the logistical network and rail rolled, et cetera, et cetera and immediate connection with the urban conditions, the institution of the city wherever you are within it. And then the immediate connection with the outdoor. When this dimension breakdowns and becomes very large and then you have the diaspora and all the problems connected with the intolerable gigantic layouts that we have in the Eastern seaboard, in the Western seaboard and in the middle of the country. The continuity following a city would be very important. So this were suggestions for bridging of a certain obstacle, like a river. Whatever kind of obstacle, like a Canyon. And last in this series idea for an ex terminal which could become a full-fledged city. So the hub would be a million population community. And the link with the aircraft's would be to a taxing lane, which surrounds the hub. And the texturing would be served through the network or landing strips according to wind patterns, landing strips you turn off the engine, the aircraft is full being and then you unload the pathway within the city itself. So you eliminate the gap between the plane and the point of arrival to the city. For this design, that's the taxing main agenda, that's a section. The industries below grade and gardens top of the industries, both the diagrams for different kinds of activities to show that within a very tiny landscape, you can be very quickly moving into different kinds of actions. So you arrive, then you go to the coffee shop then you go to the library, then you go to the business place, then you go, and everything happens by walking or by taking all the way half an hour or 20 minutes or two hours driving time between stops. Now, I'm trying to develop the notion of the urban effect. So I begin from the very beginning presenting the idea of a geological reality which has an offspring, which is biological, another ofspring, which is a human and possibly another steps, which is theological design. So you begin with cosmogenesis, the genesis of the cosmos, the mass energy universe. The universe called or indifference. And, I can't read it. I have listed here a number of characteristics, relatively speaking of this kind of universe, the physical universe. It does insensitive, structural, assimilable, predictable granular, rational, statistical intopic, insensitive. It lists the earth for instance, before the currents of life. Then somewhere, at least in one spot we know. Possibly millions of spots, life appears. So you have the biological universe, the biogenesis, the universal innocence. It is social co-operative, sensitizing and assimilable, irreversible, selective non evolutionary, irrational income, unconscious, incense, melody, divine universe. The sacramental way, the theogenesis. It is senial, ecstatic, resurrectional, totalizing, lobbying, irreversible, non syllable. That's in topic, the universe of transcendence. Thank you. Now, in this process that move from metal, let's say into spirit, you move from relatively simple, to the actually complex. And the process is always moving from the simply for the complex whenever you have more life, more consciousness, more interaction, you have more complexity. That entails in physical terms, the implosion process, this miniaturization function, and so on which I'll try to get into again. Now in this development, the characteristics again pleasant cultivation of compassion, liveliness, intensity, interdependence association in a ness sensitivity response. Self-reliance, learning, memory, hierarchy, knowledge, passion, anticipation, care, transcendence, malevolence et cetera. Those are characteristics, which are appealing slowly in this process of matter becoming sensitized into our biological system and then becoming hypersensitized incremental system and eventually becoming even more sensitized into a transcendental spatial system. So in a way you can imagine a physical universe which attempts at a certain point to become a mental spiritual universe. Not to say the notion of complexity militarization. I take three and I suggest that when you plant a tree, when you plant a seed, you witness the inclusion, around this special element and the seed of elements which are scattered throughout the universe. So we have a miniaturization in the sunsets of the universe within the tree, the tree can be a plant or it can be an organism like an animal, it can be an organism like an individual, a person. It can be a society and so on. So when you plant the seed, you have minerals, elements and water coordinating themselves, coming together and working together in the making of the tree from the area that basically the light photosynthetic process where like from hundreds of thousands of miles comes in and it's organized in such a way as to cause the generation of the organism. So this is the cosmos imploding into an organism which is self propelled, self oriented, genetically out to define and so on. In a sense, you could imagine that by extrapolation of this notion, the seed, the ultimate seed would be the cosmos becoming the seed of itself. They all make a point of the other Chapin. This process comes about through the ecological dynamics. So these ecological process, which is never static. It's dynamic happening event could be seen as a theological process. If you have some kind of an eschatological notion that it might be in end. So the arcology becomes theology and the evolution of life. So this process, would be the evolution of matter becoming divinity, which will mean that divinity is not at the origin, but it's at the end. Now, this is what you say to Somar by this diagram where the future is an empty socket. It doesn't exist, in life and devolutionary reprocess creates it. So in this case, you don't have the revelation of an existence reality. He was in some of the religious geologists but you have God Nirvana, truce of logos, which exists, but it's not still as yet revealed. Instead of revelation, you have creation. The purpose of existence is to create the non-existent and this creation is the so-called single matter becoming scraped. At the end of the presentation, we can question and answer. So you might ask some questions about those diagrams. The thing I'm not going to save you dollars. But I might quickly go over this one which is a different presentation of the notion that I had in the pit and the first leg diagram. But I begin with , and end up with the spirit. In this case, you have the media which is the big bang origin. So you have the beginning of the universe as a purely a mass energy universe which with the introduction of the time and space begins to the customer becoming, but in this process you have nodules of consciousness developing like on the earth. So you have a media, which begins as a whole existence is transforming itself into a message which eventually did a level of the spirit. And at the end of the process, since you have the total consumption of time, space, mass, and energy, you have less selection. Everything that's been in the past becomes present collective at that point, at the other point. Taking the coordinates of complexity and miniaturization towards the very basic coordinates of this evolution. You could imagine that an imbalance when you have I don't have the spirit learn the complexity is thickening consider very seriously but miniaturization is not is ignored. We have the condiments or their mental processes with the ignorance ignoring of the flesh or the material work. And this will be somehow a tendency present in the Eastern civilization. The opposite when you move to a process of which tends to be very much in gear with militarization notion, take the computer for instance, you might have a recommendation where matter is very much manipulated but the soul against the die off. So you have dielectric matter. The idea would be to find a better balance condition where both the complexity as a mental process and as a solid process and administration, in terms of making more, doing normally less would be balanced and you would have a better chance of developing or evolving. Now I'm moving into a very general term a less general kind of situation but I'm connecting the idea of the complex and the miniaturized to the problems of today. So if you take arcology as one of those notions, where the conflicts in the miniaturized is taken into the urban habitat then you could add the possibility of solving problems in a better way. The abbreviation with the ecological crisis. But he mentioned about use of land and water reduction. The pollution caused by technological societies perception of additional waste, affluence and opulence. Maybe isn't the most sheltered will man on its way to nine or so millions of millions of people. The resolution with tolerability depressions, divisional consumption. The resolution but segregation of people, things and activities responding to the encroachment of bigness of bureaucracy and so on. The contention is that through the device, to the ecological device. Those things could be faced more directly and solved with a better chance of getting somewhere. Now I'm moving another step towards a modern empirical and concrete process. And I'm bringing in those energy conditions the use of energy and the use of certain mythology system. So at the greenhouse, multicultural effect within the greenhouse condition. The absolutely fact, which is the ability of certain buildings to take in the winter, sun and to exclude the summer sun. As I told you a while ago, the use of the chimney effect connected with the greenhouse where you move air without the need of a machinery and equipment and energy that the air moves itself 'cause by warming up or by chilling itself down, and to move from a position where it originates. Those 40 facts to those 40 facts. You have to add another one, which is the ability of structure to accumulate energy when air passes through them, which is hot or cold. So that's the heat sink effect, which is the storage of energy put in a structure. Now those five effects are organized around the basic effect, which is the urban effect. The urban effect is that kind of performance which is very clearly originated with life from the very beginning. An animal or an insect, or a uniseveral animal, It's a normal effect in a sense that it has the elements within itself even a very elementary way, which are also present in the city. Intensity, synergy, consciousness, transcendence, frugality, sensitivity, beauty, knowledge, inter-dependence coordination, compassion, and so on. So you could say that throughout devolutionary process we have the exploiter of this urban effect which could be imagined, carried to the whole evolutionary process, ending up into the notion again of divinity or logos. Now we are trying to do a lacazantes to take the five effects, which I told you and organize them around the urban effect. By doing that we think we could have savings or resources land, water on time, on energy and on minerals on fossil fuels and so on and achieve a better ecological insanity. It would cut them pollution, segregation, waste big mess, bureaucracy, isolation, alienation. And it would be bad in a better position for learning if a breach for health, for identification, for collaboration and so on. So these are the tasks that we are trying to be faithful to in our very modest, and social program and Arcosanti. An example of what this means for a very simple building is this talk show near India where we would be building a greenhouse on a slope. The slope will originate this air movement. Air which is cold at the beginning it warms up and it moves towards the buildings. You would have from where you cultivate vegetables. And then at the end, you would have a very rudimentary kind of urban effect where you have a movie making your own reading rooms and the little museum. Now like make another step and come closer to the diagram of the \"Tucson's of Arcology.\" I begin with the greenhouse as a flat surface, covered by a membrane. Then I slowed the greenhouse so that I introduce the chimney fat. So you vent the wall man. The wall man vents itself out at the top. You can imagine the greenhouse as simply a scheme. So down in a house the skin can be a dome, like a fuller dome. Whereas you can take your nose and make it into a just a sandwich where you capture the infrared radiations and what does it play to the issue? You can feed some energy in the house for more hot red, hot water. You can calculate the green houses, some collector to the roof of the house. You can adapt both resources and a food production and warm air, warm water fed into the house. You smelled the greenhouse so that you feed this energy automatically through the chimney fact. You can take the house and make it into a number of houses so that you have a village or the town deployed and system which is fed food and energy to a very large energy aid made of greenhouses. And if somebody can move the hat, two hats and I had you have to the main diagram of the \"Tucson's of Arcology.\" where you add two more effects. The heatsink effect, the ability of the structure to collect energy, store it and then the app's effect, which is the one that you reset to default. So here we have to find the facts working around the urban effect. And this is the typical section of the \"Tucson's of Arcology. You'll see some models now. Very briefly, again, the action over naps in a week time where the sun penetrates and you have shots by the shell or in the summer, where the sun do not penetrate. Again, a winter shot and a summer shot. Now those are sketches, which I began to work with. So many sons. About four years ago, I began to work on this diagram. And then we got some help from the Xerox corporation from the bicentennial, so we moved from the sketches to models. Dozen sketches were working around the idea of adding shades in summer, to large owning systems. And then we made a test model, which for the model, it was some machine. And if we had more time, I could show you how the model responds to different position of the sun on different climates, different seasons. This is March the equinocks. This is say March midday by the sunshine penetrating everywhere. That's June in the morning, the shade begins to act upon the building because the shape of the building this December very early in the morning. 10 in the morning, 21st of December, the shortest day of the year, mid day in December in the morning at 10 o'clock in the morning in June. If you shade this greenhouse, you add even more shade. Now, the idea here is that basically, again, the use of those 60 facts together, the energy of the greenhouse is exposed to the South. The food fed into the community and also be energy fed in terms of basically one mail and hot water. The app's effect is maintain to the conical structures which are collected by the main email moral which can be a garden coming out of public activities, going on. Then we apply the same idea with different diagrams. So this is a steak and kind of apps effect. Where we have the South sun penetrating inside the building, this wasn't assessable big way. So we had a natural, small, the greenhouses feeding again food and energy for the committee. This far as Nevada, the landscape and climate. Well, the side of the hill exposes the Southeast terrace. I remember I used to put up about the terraces. So they got the greenhouse conviction where you cultivate I suppose, mainly. And then the greenhouse penetrates interactively, reading the community. Same idea. When you take the conical structure and you stayed in it. You gain something, you lose something. This was designed for a virgina in Saskatchewan. This is a plain old yard in the middle of the city. So we suggested that a building would be constructed on arcology where you have the greenhouses developed on terraces which are covering the garages and storages. And so it's not a juice places. The greenhouses, would penetrate into the building. The building will have its own difficult cut to let the winter sun penetrating. And the climate is very rusted and it goes down to below 16 in the winter. It's very, very windy, constantly windy but it's very sunny. So you have a condition of ability and sunshine which is the ideal condition for this notion. You've save water by cultivation on the grass or and you transform the climate into a more human climate by the greenhouse. And you shelter yourself in the wind. This is a model for the very last climate where the membrane would penetrate into a town, let's say, in this case you would add a psychological advantage of defining a garden, which could be green. Oh yeah. He is you would have applied energy with some colors. Someone with some results like a $10 leftovers or call or something. Maybe the other day I'm returning in this diagram. It's more the typical section of a shake of a dad would be very easily adopted if it's facing South. So again, you have the greenhouses connecting into the community. We did some calculations, we find out how much energy was falling on the building so much could be captured? How much could be used? Now we're developing more detailed informations about their Arcosanti structure. This was a village, we headed up by being a village from an Indian region because we had a young architect from India and he developed this as a village. So we started story building, for technology, very simple technology, then again the shape is such as this main greenhouse throughout the building of the town. And then the main greenhouse developing on the South side. Again, when you have a conditioner, water becomes precious so that the use of water in the greenhouse. It's a very good way of going about cultivation. The idea of a floating arcology whether you could tell that some of the reason by very little use of energy, because you know it's very easy to turn the building following some synchronize, some cycle. I added the idea of the iceberg, where you get fresh water for people with vegetables. You get a refrigeration unit, very substantial and you get also a very crazy playground. And lastly, before I show you the new model of Arcosanti idea of space, this was an idea that developed in the fifties, a cylinder with vegetation flying in the cylinder, cylinder rotates, so we have a local gravity and you know, within this landscape now in this kind of notion, many of the elements, which are in the terrestrial city are exasperated but there's a field air. The cooperation, interdependence, self reliance in our mess, complexity, militarization and so on. There's all, they have pleasant. But as I was saying, you know much more intense way when Jalila Neo came up with his cylinder. I was asked to respond to it. So I wrote a paper and I made a new model. The notion that paper was that basically they're going in space, not for technological reasons but for theological reasons in mind and the spirit has to colonize the cosmos. So in this new model which is a battle, you don't take them. This axis is basically one landscape. You have seven landscape one in government into the next. So there's a water landscape on technological landscape which is mainly what houses and other devices and the green hanging landscape of the same, like water reflection. But do you cultivate basically put stuff then the landscape the landscape, which is hanging and totally into the next landscape which is again for the purpose of gaining an outdoor life to the community, and then a technological axial landscape where we are almost zero gravity. And this was a quick model of Arcosanti as soon as we moved the sun into it, the typical section with the slot, but there didn't existing buildings. And then this model was developed into the maximum which is. The green houses on the slope that you have seen that the city police there, the stage was done there there's an existing building, there's a 24 started building with a main major mall. This level the green house feeds, as I was saying vegetables and energy to the building. They have two cycles, a winter cycle and a summer cycle. The winter cycle, if I find it. With this basically this way, you have an intake of cold, dry air at the bottom of the greenhouses. The air warms up, right? Rises through the greenhouses and rises to the building which also has some green houses. So we have this chimney effect conveying the warm air into the building. In a summer you reverse the procedure. You open the gates, do you have a continuous greenhouse? You have an intake of hot, dry air. Dry air is humidified to an outbreak cooling, it becomes heavy and cool. So it drops, and it cools the building up. The building accumulates energy, so in both cases, it gives back with a certain time-lapse, on what has been collected before. This is the slot on the North East side in the little Canyon. As I was saying we occupy only 2% of the land that we have and by concentrating the activities of the habitat within such a small place, we have a pedestrian condition with immediate connection between the urban condition. And let's say the agricultural condition in the wilderness that surrounds it. The automobile doesn't exist. It's parked at the edge of the city and between what we have now and what we intend to do. We have to build a few more structures so that we can move more of us out on the site. So this is a crescent with 15 units developed around the theater. So we are attempting even in a very small scale with few hundreds of people involved to focus the activities, look the mitigate technology or production and marketing, but also culture. So the theater would be for a children's playground for nursing school and so on. Would be also for the meetings and the community marketing maybe once a week or once a month to open market and then conferences, concerts and so on. Those are the vaults which have been built. This has been built in the residents for the office. That's been built the lab building. So now we are, yesterday we were excavating in this area. And today, tomorrow and Monday, we had an escalating with a bulldozer and that's what we need. We need more money. So we are trying to raise money in many ways.\r\n\r\n- Can I ask a question?\r\n\r\n- Yeah.\r\n\r\n- What about wildlife in the future?\r\n\r\n- Can you ask it again?\r\n\r\n- This was some kind of resume of a situation that is somehow existent in a megawatt, a flat city. And this is a condition that possibly could develop for another situation. The arcology situation, bigness, smallness, X rotation, fitness segregation, integration, matter in mind, our total destruction, consideration, pollution and pollution and centerpiece density in short Eden fragmented structured, exclusively, interiorized, complicated, complex bureaucratic performing open and frugal, really cultural congress and conference. Now, as I was saying, we are trying to get people to come and help, and we have 10 workshops going on from January until November. And this year, we're mainly building the crescent with finishing the swim pool and we're going to do a landscaping and so on. And I asked some sketches and some posters available. Now, if you'd like to ask some questions, when we put the lights on.","format":"text/plain"},"target":"https://iastate.aviaryplatform.com/collections/1150/collection_resources/43855/file/116918#t=0.0,3772.65633"}]}]}]}